# ArTEEtude 349, Detlef Schlich reflects with Sophia on the aftermath of the WAW Keep Clear journey through Cape Clear and Ballydehob.The episode closes with the new Los Inorgánicos track: “Why Do We Still Do This?”
Two gigs. One island. Buses, ferries, instruments, rehearsals, carrying, setting up, tearing down — and not exactly a Rolling Stones budget.
So why do we still do this?
In ArTEEtude 349, Detlef Schlich reflects with Sophia on the aftermath of the WAW Keep Clear journey through Cape Clear and Ballydehob. With Dirk Schlömer back in Berlin and the equipment finally unpacked, there is time to ask a question that reaches far beyond two concerts: what keeps an artist moving when money, comfort and convenience clearly aren't the answer?
The episode begins with one of the stories that never made it into the previous podcasts: two €50 notes disappearing on the way to Cape Clear — and unexpectedly returning aboard the ferry. From there, the conversation moves into ageing, physical exhaustion, artistic obsession, live performance and the difference between validation and resonance.
Cape Clear becomes more than a gig destination. Encounters, landscape, weather and people generate ideas that could never have emerged inside the studio alone. Yet inspiration brings its own problem: every journey creates more possibilities, while time, money and energy remain finite.
Perhaps artists don't necessarily need an audience to validate their work.
Perhaps they need encounters.
Because something changes when art leaves the protected space of the studio and meets real people in a real place.
And maybe Dirk's joke about coming back “a hundred euros richer” wasn't entirely wrong after all.
The episode closes with the new Los Inorgánicos track:
“Why Do We Still Do This?”
Not for money.
Not for fame.
Again. Again. Again.
About Detlef Schlich
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.
His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.
As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.
Research & Artistic Method
Detlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.
Download here for free:
Shamanism, Art and Digital Culture: Cause and Effect
Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.
Read here:
Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich
Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.
WEBSITE LINKS
Music Projects
WAW / Wild Atlantic Way
WAW is the music project by Detlef Schlich and Dirk Schlömer.
Official YouTube Channel:
https://www.youtube.com/@WAWBand
From the forthcoming WAW album The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
Watch here:
https://www.youtube.com/watch?v=LnQbsh01YWU
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
Watch here:
https://www.youtube.com/watch?v=33AWko4IkKI
WAW on Bandcamp
Silent Night
In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YouTube
Silent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
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