- #ArTEEtude 350 - Detlef Schlich returns to the beginning of his life in Ireland and reflects on his arrival in Lackavaun on the Northside of the Mizen Peninsula in 2003.
What if the house you bought was actually a time machine?
In 2003, I arrived in Lackavaun on the remote Northside of the Mizen Peninsula in West Cork.
No running water.
Old jeans stuffed between roof and wall to keep the wind out.
Rats upstairs.
Dunmanus Bay outside the door.
And then I met Pat McCarthy.
What initially appeared to be simply a remote and beautiful part of West Cork gradually revealed itself as a place in which several historical layers were still visible at the same time. Through the story of an old house without running water, the late arrival of rural electrification, dramatic population decline after the Great Famine, and the isolation of everyday life, the episode paints a vivid picture of a landscape that was already entering the 21st century while still carrying traces of a much older rural culture.
At the centre of the episode is Patrick McCarthy, co-author of Northside of the Mizen, who personally welcomed Detlef to Lackavaun in April 2003. McCarthy becomes a symbolic link between oral storytelling, local history and a disappearing way of life. An old butter churn, a curious matchmaking story, and the Irish tradition of the Pioneer movement open wider questions about how knowledge, gestures and memories survive once their original cultural context begins to disappear.
Rather than romanticising rural hardship, the episode examines the tension between poverty and authenticity, isolation and beauty, tradition and technological change. Schlich reflects on how these five years in Lackavaun shaped his later artistic engagement with ritual, material culture, shamanism, technology and media archaeology long before he had a theoretical language for it.
ArTEEtude 350 is a journey into a landscape full of traces — and into the stories that continue to live when someone decides to tell them again.
About Detlef Schlich
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.
His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.
As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.
Research & Artistic Method
Detlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.
Download here for free:
Shamanism, Art and Digital Culture: Cause and Effect
Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.
Read here:
Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich
Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.
WEBSITE LINKS
Music Projects
WAW / Wild Atlantic Way
WAW is the music project by Detlef Schlich and Dirk Schlömer.
Official YouTube Channel:
https://www.youtube.com/@WAWBand
From the forthcoming WAW album The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
Watch here:
https://www.youtube.com/watch?v=LnQbsh01YWU
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
Watch here:
https://www.youtube.com/watch?v=33AWko4IkKI
WAW on Bandcamp
Silent Night
In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YouTube
Silent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E350 - 28m - Sep 6, 2026 - # ArTEEtude 349, Detlef Schlich reflects with Sophia on the aftermath of the WAW Keep Clear journey through Cape Clear and Ballydehob.The episode closes with the new Los Inorgánicos track: “Why Do We Still Do This?”
Two gigs. One island. Buses, ferries, instruments, rehearsals, carrying, setting up, tearing down — and not exactly a Rolling Stones budget.
So why do we still do this?
In ArTEEtude 349, Detlef Schlich reflects with Sophia on the aftermath of the WAW Keep Clear journey through Cape Clear and Ballydehob. With Dirk Schlömer back in Berlin and the equipment finally unpacked, there is time to ask a question that reaches far beyond two concerts: what keeps an artist moving when money, comfort and convenience clearly aren't the answer?
The episode begins with one of the stories that never made it into the previous podcasts: two €50 notes disappearing on the way to Cape Clear — and unexpectedly returning aboard the ferry. From there, the conversation moves into ageing, physical exhaustion, artistic obsession, live performance and the difference between validation and resonance.
Cape Clear becomes more than a gig destination. Encounters, landscape, weather and people generate ideas that could never have emerged inside the studio alone. Yet inspiration brings its own problem: every journey creates more possibilities, while time, money and energy remain finite.
Perhaps artists don't necessarily need an audience to validate their work.
Perhaps they need encounters.
Because something changes when art leaves the protected space of the studio and meets real people in a real place.
And maybe Dirk's joke about coming back “a hundred euros richer” wasn't entirely wrong after all.
The episode closes with the new Los Inorgánicos track:
“Why Do We Still Do This?”
Not for money.
Not for fame.
Again. Again. Again.
About Detlef Schlich
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.
His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.
As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.
Research & Artistic Method
Detlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.
Download here for free:
Shamanism, Art and Digital Culture: Cause and Effect
Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.
Read here:
Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich
Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.
WEBSITE LINKS
Music Projects
WAW / Wild Atlantic Way
WAW is the music project by Detlef Schlich and Dirk Schlömer.
Official YouTube Channel:
https://www.youtube.com/@WAWBand
From the forthcoming WAW album The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
Watch here:
https://www.youtube.com/watch?v=LnQbsh01YWU
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
Watch here:
https://www.youtube.com/watch?v=33AWko4IkKI
WAW on Bandcamp
Silent Night
In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YouTube
Silent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E349 - 23m - Aug 30, 2026 - #ARTEETUDE 348 —Schlich and Schlömer reflect on the latest WAW journey through West Cork. At the end we listen to a beach version of "When the tide knocks at your door". Inspired by our latest journey to Cape Clear.
The Cape Clear adventure is over — but the tide is still moving.
Detlef Schlich and Dirk Schlömer sit down at Garrylucas Beach for the final reflection on their WAW days in West Cork: two gigs, new songs, the Magic Forest, unexpected encounters, exhaustion, friendship and a packed Oasis Art Café.
WAW played a full hour of original material before Go Like This took over the stage — two generations, two different sounds, one great night.
And somewhere along the journey, WAW itself changed: tighter songs, increasingly intertwined voices and a growing collection of Stories of West Cork.
The episode ends where this chapter began: with Cape Clear — and the new WAW song inspired by the island.
About Detlef Schlich
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.
His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.
As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.
Research & Artistic Method
Detlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.
Download here for free:
Shamanism, Art and Digital Culture: Cause and Effect
Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.
Read here:
Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich
Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.
WEBSITE LINKS
Music Projects
WAW / Wild Atlantic Way
WAW is the music project by Detlef Schlich and Dirk Schlömer.
Official YouTube Channel:
https://www.youtube.com/@WAWBand
From the forthcoming WAW album The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
Watch here:
https://www.youtube.com/watch?v=LnQbsh01YWU
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
Watch here:
https://www.youtube.com/watch?v=33AWko4IkKI
WAW on Bandcamp
Silent Night
In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YouTube
Silent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E348 - 29m - Aug 23, 2026 - #ARTEETUDE 347 Schlich and Schlömer take the microphone on Cape Clear after their WAW – Wild Atlantic Way adventure brought them across the water and onto one of Ireland’s most remarkable islands.
Cape Clear. An island at the edge of Ireland. A ferry, a gig, a few instruments — and two men who apparently still think jumping into the Atlantic is a perfectly reasonable form of post-production.
This episode is not a polished travel report. It is the sound of actually being there.
Detlef and Dirk talk about the journey to Cape Clear, arriving on the island, the people they met, the atmosphere surrounding the gig, performing their music far away from the usual circuits — and what remains when the instruments are packed away and the evening is over.
The conversation moves between music, friendship, island life, improvisation and those unexpected moments that turn a gig into something much larger than a gig.
And somewhere between land and sea, performance and memory, WAW’s KEEP CLEAR journey becomes exactly what it was meant to be:
Not simply a tour.
An encounter.
An experience.
A story worth bringing home.
Keep Clear. Come closer
About Detlef Schlich
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.
His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.
As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.
Research & Artistic Method
Detlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.
Download here for free:
Shamanism, Art and Digital Culture: Cause and Effect
Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.
Read here:
Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich
Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.
WEBSITE LINKS
Music Projects
WAW / Wild Atlantic Way
WAW is the music project by Detlef Schlich and Dirk Schlömer.
Official YouTube Channel:
https://www.youtube.com/@WAWBand
From the forthcoming WAW album The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
Watch here:
https://www.youtube.com/watch?v=LnQbsh01YWU
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
Watch here:
https://www.youtube.com/watch?v=33AWko4IkKI
WAW on Bandcamp
Silent Night
In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YouTube
Silent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E346 - 24m - Aug 16, 2026 - #ARTEETUDE 346 - Detlef Schlich and his Co-Host Sophia carry their exploration of vibration, memory and reception across the Atlantic to Cape Clear Island — Oileán Chléire. The episode also looks ahead to the WAW Keep Clear Tour 2026, beginning at Club Chléire on Wednesday, 12 August, with Schlich and Dirk Schlömer.
Can a place listen?
Following The Skin That Listens, Detlef and Sophia carry their exploration of vibration, memory and reception across the Atlantic to Cape Clear Island — Oileán Chléire.
An island has no ears, yet it continuously receives: waves, weather, footsteps, languages, stories, warnings and songs.
In this episode, Cape Clear becomes a living archive. Its ancient stone markings, oral traditions and maritime signals reveal how places preserve traces even when their original meanings have been partially lost.
A former lighthouse once transmitted a warning from the island’s highest cliffs, but mist often prevented the signal from being seen. That contradiction becomes the philosophical centre of the episode:
A lighthouse says: Keep clear.
A story says: Come closer.
The episode also looks ahead to the WAW Keep Clear Tour 2026, beginning at Club Chléire on Wednesday, 12 August, with Detlef Schlich and Dirk Schlömer—Detlef’s “better WAW half.”
WAW reached No. 1 in Neil Quinn’s Cork Playlist last year and No. 2 this year. Their new song, When the Tide Knocks at Your Door, receives its spoken-word premiere in the podcast before being performed musically for the first time on Cape Clear.
The closing track by Los Inorgánicos, After the Signal, remains deliberately atmospheric:
The listeners receive the words first.
The island receives the music.
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E346 - 22m - Aug 9, 2026 - #Arteetude 345 – Schlich and his AI co-host Sophia explore the relationship between hearing, touch, vibration, bodily rhythm and memory. The episode concludes with the new song by Los Inorgánicos: When Silence Moves
Can sound be felt before it is heard?
Arteetude 345 – The Skin That Listens grew directly from responses to our previous episode.
Listener Wendy Chivers questioned whether feeling had been treated merely as an unusual side effect of hearing rather than as an essential form of perception. Pastora Braghini then shared a childhood memory of her deaf grandfather, who could detect the children approaching his armchair through vibrations travelling across the old wooden floor.
Together with my AI co-host Sophia, I explore the territory between hearing and touch. The ear translates vibration into sound, while skin, bones, muscles and balance translate the same physical event into pressure, movement and spatial awareness.
Perhaps listening has never belonged to the ear alone.
Perhaps music enters a body already filled with rhythms—heartbeat, breath, memory and movement—and becomes part of us before language can explain what happened.
The episode concludes with the new song by Los Inorgánicos:
When Silence Moves
Research & Artistic Method
Detlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.
Download here for free:
Shamanism, Art and Digital Culture: Cause and Effect
Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.
Read here:
Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich
Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.
WEBSITE LINKS
Music Projects
WAW / Wild Atlantic Way
WAW is the music project by Detlef Schlich and Dirk Schlömer.
Official YouTube Channel:
https://www.youtube.com/@WAWBand
From the forthcoming WAW album The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
Watch here:
https://www.youtube.com/watch?v=LnQbsh01YWU
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
Watch here:
https://www.youtube.com/watch?v=33AWko4IkKI
WAW on Bandcamp
Silent Night
In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YouTube
Silent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E345 - 23m - Aug 2, 2026 - #Arteetude 344 – Schlich and his Co-host Sophia move beyond the ear and discover the body as the true receiver of music.
Where does sound become meaning?
In the latest part of The Future Has Ancestors, Sophia and I move beyond the ear and discover the body as the true receiver of music.
If every listener brings memories, expectations and lived experience into every note, then musicians don't simply compose sounds—they compose possibilities. The body completes the final arrangement.
Episode 344 explores resonance, embodiment, perception and asks one simple question:
What if the most important instrument has always been ourselves?
The episode closes with the brand-new Los Inorgánicos song:
Where We Resonate
Research & Artistic Method
Detlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.
Download here for free:
Shamanism, Art and Digital Culture: Cause and Effect
Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.
Read here:
Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich
Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.
WEBSITE LINKS
Music Projects
WAW / Wild Atlantic Way
WAW is the music project by Detlef Schlich and Dirk Schlömer.
Official YouTube Channel:
https://www.youtube.com/@WAWBand
From the forthcoming WAW album The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
Watch here:
https://www.youtube.com/watch?v=LnQbsh01YWU
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
Watch here:
https://www.youtube.com/watch?v=33AWko4IkKI
WAW on Bandcamp
Silent Night
In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YouTube
Silent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E344 - 14m - Jul 26, 2026 - #Arteetude 343 - Detlef Schlich and his AI co-host Sophia travel much further back and ask - What existed first: sound or the receiver? Can sound exist without someone—or something—capable of perceiving it? Was the first instrument a body?
About Detlef Schlich
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.
His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.
As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.
Research & Artistic Method
Detlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.
Download here for free:
Shamanism, Art and Digital Culture: Cause and Effect
Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.
Read here:
Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich
Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.
WEBSITE LINKS
Music Projects
WAW / Wild Atlantic Way
WAW is the music project by Detlef Schlich and Dirk Schlömer.
Official YouTube Channel:
https://www.youtube.com/@WAWBand
From the forthcoming WAW album The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
Watch here:
https://www.youtube.com/watch?v=LnQbsh01YWU
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
Watch here:
https://www.youtube.com/watch?v=33AWko4IkKI
WAW on Bandcamp
Silent Night
In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YouTube
Silent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E343 - 32m - Jul 19, 2026 - #Arteetude 342 — While sitting in Bantry, Detlef Schlich overhears a conversation that becomes the starting point for a media-archaeological investigation. A frustrated street musician blames AI for the end of creativity, while his girlfriend answers with humour, irony and unexpected wisdom. Together with AI co-host Sophia, Detlef asks whether artificial intelligence is truly the greatest threat to music—or simply the latest suspect in one of humanity's oldest stories. The episode ends with the new Los Inorgánicos track “The Future Has Ancestors.”
Is artificial intelligence really destroying music?
Or are we simply repeating one of humanity's oldest conversations?
In this episode of Arteetude, a chance encounter in a café in Bantry becomes the starting point for a media-archaeological investigation. A frustrated street musician blames AI for the end of creativity, while his girlfriend answers with humour, irony and unexpected wisdom.
What begins as an amusing dialogue gradually unfolds into a much larger philosophical question:
Has every generation feared the newest medium?
From streaming and digital recording to radio, the gramophone and the earliest attempts to preserve music beyond human memory, this episode argues that today's AI debate may be only the latest chapter in a much older story.
Together with Sophia, Detlef Schlich explores not only technology, but also fear, memory, economics and our persistent tendency to believe that history begins with our own generation.
Perhaps the future has ancestors.
The episode concludes with a brand-new Los Inorgánicos track:
"The Future Has Ancestors."
About Detlef Schlich
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.
His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.
As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.
Research & Artistic Method
Detlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.
Download here for free:
Shamanism, Art and Digital Culture: Cause and Effect
Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.
Read here:
Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich
Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.
WEBSITE LINKS
Music Projects
WAW / Wild Atlantic Way
WAW is the music project by Detlef Schlich and Dirk Schlömer.
Official YouTube Channel:
https://www.youtube.com/@WAWBand
From the forthcoming WAW album The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
Watch here:
https://www.youtube.com/watch?v=LnQbsh01YWU
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
Watch here:
https://www.youtube.com/watch?v=33AWko4IkKI
WAW on Bandcamp
Silent Night
In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YouTube
Silent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E342 - 21m - Jul 12, 2026 - #Arteetude 341 — Detlef Schlich speaks with musician, artist, designer, project manager and builder Buko Pan Guerra, also known as Buko Sinigayan, about her vision for Golden Mirage Ranch in Leona Valley, California. This conversation explores rejection, resilience, land, animals, music, community and the courage it takes to keep building when life has already asked too much. The episode ends with Buko’s powerful song “In Search for Power”.
In Arteetude 341, Detlef Schlich welcomes back musician, artist, designer, project manager and builder Buko Pan Guerra, also known as Buko Sinigayan, for a deeply human conversation about survival, rejection, land, animals, music, community and the strange courage it takes to keep building when life has already asked too much.
Buko has spent decades helping other people’s visions become real — working across art, music, construction, education, entertainment, design, theme-park environments and complex project management. Now she is building something of her own: Golden Mirage Ranch in Leona Valley, California.
But Golden Mirage Ranch is not just a ranch. It is a place for rescued animals, nature, music, workshops, food, learning, healing and community. It is where many of Buko’s lives come together: the artist, the musician, the project manager, the daughter, the caretaker, the survivor and the dreamer.
This episode is not simply about a fundraiser. It is about dignity. It is about creative resilience. It is about what happens when an artist refuses to disappear. It asks: How does an artist survive rejection and still build a place of care, land, animals, music and community?
The episode ends with Buko’s powerful song “In Search for Power” — a fitting musical closing for a conversation about vulnerability, survival and the search for strength.
You can Donate here on Bukos Website
https://goldenmirageranch.com/
https://www.instagram.com/goldenmirageranch/
https://www.gofundme.com
About Detlef Schlich
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.
His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.
As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.
Research & Artistic Method
Detlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.
Download here for free:
Shamanism, Art and Digital Culture: Cause and Effect
Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.
Read here:
Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich
Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.
WEBSITE LINKS
Music Projects
WAW / Wild Atlantic Way
WAW is the music project by Detlef Schlich and Dirk Schlömer.
Official YouTube Channel:
https://www.youtube.com/@WAWBand
From the forthcoming WAW album The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
Watch here:
https://www.youtube.com/watch?v=LnQbsh01YWU
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
Watch here:
https://www.youtube.com/watch?v=33AWko4IkKI
WAW on Bandcamp
Silent Night
In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YouTube
Silent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E341 - 36m - Jul 5, 2026 - #Arteetude 340 – Detlef Schlich and his AI Co-Host Sophia explore the Artist After the Upload, McLuhan, Benjamin, aura, reproduction, AI, social media, and Detlef’s own concept of Multilayerism. Featuring the new Los Inorgánicos song “Beneath the Digital Moon” — a love song to the organic after the upload.
In Arteetude 340 – The Artist After the Upload, Detlef Schlich continues the philosophical arc that began in Arteetude 338 with The Law of Acceleration. After the reflective pause of Arteetude 339 at Gallery Emptiness with Felicitas, this new episode moves into the world of media, reproduction, AI, and artistic presence.
Together with his AI Co-Host Sophia, Detlef explores how Marshall McLuhan and Walter Benjamin can still help us understand what happens to art — and to the artist — after a work has been uploaded. McLuhan’s famous idea that the medium is the message becomes a personal question: how does podcasting, social media, AI, video, streaming, and digital distribution reshape the artist’s voice, rhythm, imagination, and nervous system?
Benjamin’s concept of aura opens another layer. If reproduction once seemed to threaten the unique presence of the artwork, what happens today when a work becomes file, stream, post, thumbnail, memory, comment, remix, and archive? Has aura disappeared — or has it migrated?
Through Detlef’s own concept of Multilayerism, the episode proposes that aura is not simply dead. It may now move through layers: physical, digital, emotional, historical, spiritual, technological, remembered, and misunderstood. But this movement is not automatically meaningful. Aura survives only where attention, imagination, and resonance still happen.
The episode closes with a new musical reflection by Los Inorgánicos: “Beneath the Digital Moon” — a small love song to the organic, to the body, to the voice, and to the warmth that remains after the upload.
About Detlef Schlich
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.
His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.
As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.
Research & Artistic Method
Detlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.
Download here for free:
Shamanism, Art and Digital Culture: Cause and Effect
Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.
Read here:
Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich
Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.
WEBSITE LINKS
Music Projects
WAW / Wild Atlantic Way
WAW is the music project by Detlef Schlich and Dirk Schlömer.
Official YouTube Channel:
https://www.youtube.com/@WAWBand
From the forthcoming WAW album The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
Watch here:
https://www.youtube.com/watch?v=LnQbsh01YWU
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
Watch here:
https://www.youtube.com/watch?v=33AWko4IkKI
WAW on Bandcamp
Silent Night
In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YouTube
Silent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E340 - 28m - Jun 28, 2026 - #Arteetude 339 Detlef Schlich visits artist Felicitas Gross in her newly opened Gallery Emptiness on William Street in Bantry — a small, intimate gallery space that feels less like a commercial venue and more like an extension of Felicitas herself. The episode closes with a new Los Inorgánicos song: “Emptiness Is Not a Hidden Void”
Without Sophia, his AI Co-Host, Detlef Schlich returns to the physical presence of a real conversation: two people sitting inside a gallery, surrounded by paintings, sculptures, handmade objects, and the quiet energy of a space that has only recently been brought back to life. Felicitas speaks about discovering the empty room by chance, renovating it over nearly a month, and turning it into a living continuation of her artistic path.
At the heart of the episode is the meaning of the name Gallery Emptiness. For Felicitas, emptiness is not a void, not absence, not nothingness. It is a space without fixed essence — a field of relation, vibration, energy, and possibility. This becomes the philosophical pulse of the conversation.
The episode also opens towards future plans for the gallery: spoken word evenings, poetry, word games, small performances, mini theatre, workshops, clothing upcycling, and creative gatherings where people can explore expression in a personal and playful way. There is also a subtle but strong critique of disposable fashion culture — the tendency to buy, wear once, and discard. Felicitas offers another path: clothing as second skin, as personality, as self-made presence.
Gallery Emptiness becomes more than a gallery. It becomes a small cultural chamber in Bantry — a place for art, words, encounter, transformation, and community.
The episode closes with a new Los Inorgánicos song:
“Emptiness Is Not a Hidden Void”
A poetic reflection on Felicitas’ statement, the gallery, and the strange beauty of a space that begins empty only so something alive can enter.
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker,
ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.
WEBSITE LINKS
WAW Official YouTube Channel
https://www.youtube.com/@WAWBand
From the forthcoming WAW album
The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young — a mythopoetic journey along the Nile, where river, memory, loss, cooperation and hope flow into music.
AfricaSmile
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm and myth.The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
The Niles Bittersweet Song
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
WAW Bandcamp
Silent Night
In a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YOU TUBE
*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culture
https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E339 - 24m - Jun 21, 2026 - #Arteetude 338 - Detlef Schlich and Sophia, his AI Co-Host explore why artistic life today can feel so permanently accelerated. A song is no longer only a song. It becomes a recording, a video, a post, a reel, a statistic, a promotion cycle — and then the next project is already waiting.The episode closes with a new musical reflection by Los Inorgánicos: “Zeitrebell — The Shadow of the Sundial.”
In Arteetude 338 – The Law of Acceleration, Part One, Detlef Schlich and Sophia, his AI Co-Host, begin a two-part philosophical journey into acceleration, artistic exhaustion, media pressure, and the fragile search for resonance in the technological age.
Following the reflections of Arteetude 336 and 337 — from Heidegger, Kurzweil, AI image floods, The Collapse of Wonder, and Ilen’s Hopium — this new episode asks why artistic life today feels so permanently accelerated. Even a three-month release rhythm can feel like constant pressure when writing, producing, editing, uploading, promoting, and reflecting never truly stop.
The episode brings together two major thinkers of speed and modernity. Paul Virilio — born in Paris in 1932 and deeply shaped by war, urban destruction, architecture, technology, and military acceleration — developed the idea of dromology, the logic of speed, and famously argued that every invention also invents its own accident.
Hartmut Rosa — born in Lörrach, Germany, in 1965 — offers a later sociological diagnosis of modern life through his theories of social acceleration, alienation, and resonance. His work asks what happens when not only machines, but social expectations, communication, production, and everyday life itself accelerate.
For Detlef, this is not only theory. It becomes a personal reflection on ageing as an artist, on WAW, Arteetude, AI images, podcast production, music videos, social media, and the strange condition of the independent artist who has gained freedom — only to discover that freedom can become infrastructure.
At the heart of the episode is Detlef’s 1990s song “Zeitrebell”, whose refrain becomes a poetic counter-gesture to acceleration:
Ich bin ein Zeitrebell,
und wenn es mir zu schnell wird,
stelle ich mich auf den Schatten meiner Sonnenuhr.
In this episode, the old Zeitrebell returns — not as nostalgia, but as a living message from Detlef’s younger self to the ageing artist of today.
The episode closes with a new musical reflection by Los Inorgánicos:
“Zeitrebell — The Shadow of the Sundial.”
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker,
ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.
WEBSITE LINKS
WAW Official YouTube Channel
https://www.youtube.com/@WAWBand
From the forthcoming WAW album
The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young — a mythopoetic journey along the Nile, where river, memory, loss, cooperation and hope flow into music.
AfricaSmile
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm and myth.The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
The Niles Bittersweet Song
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
WAW Bandcamp
Silent Night
In a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YOU TUBE
*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culture
https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E338 - 34m - Jun 14, 2026 - #Arteetude 337 - From the Nile of AfricaSmile to the River Ilen in West Cork, Detlef Schlich ands his AI co-hopst Sophia reflect on how rivers carry memory, sediment, wounds, names, and fragile possibilities of hope through the lens of Heidegger and Kurzweil.
In Arteetude 337 – Ilens Hopium, Detlef Schlich and Sophia, his AI Co-Host, continue the philosophical journey begun in Arteetude 336, The Collapse of Wonder. After exploring the flood of AI-generated images, Heidegger’s question concerning technology, and Ray Kurzweil’s vision of technological acceleration, this episode moves closer to the river — not as a simple metaphor, but as a living method of thought.
From the Nile of AfricaSmile to the River Ilen in West Cork, Detlef reflects on how rivers carry memory, sediment, wounds, names, and fragile possibilities of hope. The River Ilen becomes more than landscape: it becomes biography, artistic method, local presence, and a counter-image to technological acceleration.
The episode explores the origin of the word Hopium, first used playfully by Dirk in relation to the emerging WAW song idea Ilens Hopium. What began as a joke opens into a deeper philosophical space: She — the River Ilen — is hoping for hope. Through Heidegger’s lens, Hopium becomes a word that reveals contradiction: hope and suspicion, medicine and poison, survival and self-deception. Through Kurzweil’s lens, the river offers another kind of intelligence — not singularity, but plurality; not acceleration, but return; not one final answer, but bend after bend, name after name.
The episode closes with a new Los Inorgánicos piece titled “First Mist from the Ilen — Every Bend a Hope / Before the Song Appears.” This is not intended to replace the future WAW single Ilens Hopium, which Detlef and Dirk hope to release later this year. Instead, it functions as a philosophical companion in the universe of multilayerism — a sonic sketch, a small ritual support, and a first mist rising from the River Ilen before the full song appears.
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker,
ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.
WEBSITE LINKS
WAW Official YouTube Channel
https://www.youtube.com/@WAWBand
From the forthcoming WAW album
The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young — a mythopoetic journey along the Nile, where river, memory, loss, cooperation and hope flow into music.
AfricaSmile
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm and myth.The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
The Niles Bittersweet Song
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
WAW Bandcamp
Silent Night
In a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YOU TUBE
*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culture
https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E337 - 29m - Jun 7, 2026 - #Arteetude 336 -Detlef Schlich & Sophia, his AI Co-Host, reflect on Heidegger, Kurzweil, AI image overload, artistic dignity, and the river as a slower teacher of memory and hope.
In Arteetude 336 – The Collapse of Wonder, Detlef Schlich and Sophia, his AI Co-Host, enter the philosophical afterglow of the creative process behind the AfricaSmile music video.
What began as an AI-assisted editing process became a deeper question: what happens when the world becomes endlessly imageable? When every vision can be generated, corrected, beautified, animated, and replaced, does art gain new freedom — or does wonder begin to collapse under the pressure of too much availability?
Through the lens of Martin Heidegger’s The Question Concerning Technology and Ray Kurzweil’s The Singularity Is Nearer, Detlef reflects on AI not simply as a tool, but as a new mode of revealing the world. Heidegger warns that modern technology turns nature into “standing-reserve” — material waiting to be used. Kurzweil, by contrast, sees technological acceleration as part of evolution, moving toward the merging of human and machine intelligence.
Between these two poles, Detlef asks: is AI helping us discover deeper secrets, or are we consuming revelation too quickly? From the Nile of AfricaSmile to the River Ilen of the upcoming Illens Hopium, this episode explores the river as a counter-image to machine speed — a slower force of memory, erosion, sediment, and hope.
The episode closes with the new Los Inorgánicos song “Slow the River Down”, a dark, poetic reflection on image overload, artistic dignity, and the need to let mystery breathe.
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker,
ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.
WEBSITE LINKS
WAW Official YouTube Channel
https://www.youtube.com/@WAWBand
From the forthcoming WAW album
The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young — a mythopoetic journey along the Nile, where river, memory, loss, cooperation and hope flow into music.
AfricaSmile
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm and myth.The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
The Niles Bittersweet Song
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
WAW Bandcamp
Silent Night
In a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YOU TUBE
*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culture
https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E336 - 33m - May 31, 2026 - #Arteetude 335 - Detlef Schlich and Co-Host Sophia about the making of the upcoming WAW video for AfricaSmile — a journey through rivers, AI imagery, artistic friction, friendship, symbolism and fragile hope.
In Arteetude 335, Detlef Schlich and his AI Co-Host take listeners deep inside the making of the upcoming AfricaSmile video by WAW — not simply as a music video, but as a fragile negotiation between image, friendship, artistic responsibility and technological imagination.
What began as a “quick visual accompaniment” slowly transformed into an unexpectedly emotional and philosophical journey. The episode explores the creative tensions between Detlef and Dirk Schlömer, the symbolic worlds of the White Nile and Blue Nile, the controversial removal of the original AI-generated “mythological beauty” figure, and the emergence of a new visual language built from floating tull fabrics, sediments, ritual movement and dissolving landscapes.
At the centre lies the mysterious “zero” — the final number in the river countdown system running through the video from source to delta. Initially beautiful, later deconstructed, the zero becomes a symbol for disappearance, convergence, incompleteness and transformation.
Detlef also reflects on his ritualistic nighttime working process as a “digital shaman”: candlelight, headphones, darkness and listening “between the lines” of the music in order to discover hidden emotional frequencies.
Arteetude 335 becomes a meditation on:
artistic friction,
friendship,
AI aesthetics,
visual ethics,
mythopoetic filmmaking,
and the fragile possibility of hope inside a wounded world.
The episode concludes with the video version of AfricaSmile — beginning not with the trumpet intro of the single version, but with the bubbling source of the White Nile itself.
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker,
ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.
WEBSITE LINKS
WAW Official YouTube Channel
https://www.youtube.com/@WAWBand
From the forthcoming WAW album
The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young — a mythopoetic journey along the Nile, where river, memory, loss, cooperation and hope flow into music.
AfricaSmile
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm and myth.The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
The Niles Bittersweet Song
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
WAW Bandcamp
Silent Night
In a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YOU TUBE
*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culture
https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E335 - 21m - May 24, 2026 - #Arteetude 334 - Detlef Schlich and AI Co-Host Sophia reflect on Neil Quinn´s three-day voting journey around WAW’s single “Africa Smile” in The Cork Playlist – Song of the Week.
What begins as a simple story about a local playlist becomes a deeper meditation on independent music, visibility, community, and the emotional labour of self-promotion. Detlef looks back at the old DIY days of band promotion — photocopied flyers, cut-and-paste posters, pubs, record shops, and paper under car windscreens — and compares them with today’s digital rituals of links, WhatsApp messages, Instagram stories, Spotify streams, and online voting.
At the centre of the episode is The Cork Playlist, created and curated by Neil Quinn, as an important cultural platform for Cork music. Detlef considers how such local initiatives interrupt the disappearance of music in the endless streaming machine and create a space where artists can be heard, compared, supported, and discovered.
The episode also tells the dramatic and slightly comic story of WAW’s three-day voting campaign: the excitement, the constant refreshing, the stress, the WhatsApp group mistake, the quick lesson in digital boundaries, and the realisation that promotion must remain an invitation — not an invasion.
WAW reached second place with 465 votes, while Stacey Dineen deservedly won first place with her beautiful song “Stay.” Rather than framing this as defeat, Detlef and Sophia explore second place as evidence of resonance: a sign that Africa Smile moved through people, networks, friends, strangers, Cork, West Cork, Germany, and beyond.
The episode closes with gratitude to everyone who voted, shared, listened, added the song to playlists, and carried it further — before playing “Africa Smile” once more as the end-song.
Two rivers meet.
Two artists listen.
One wounded hope keeps moving.
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker,
ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.
WEBSITE LINKS
WAW Official YouTube Channel
https://www.youtube.com/@WAWBand
From the forthcoming WAW album
The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young — a mythopoetic journey along the Nile, where river, memory, loss, cooperation and hope flow into music.
AfricaSmile
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm and myth.The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
The Niles Bittersweet Song
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
WAW Bandcamp
Silent Night
In a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YOU TUBE
*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culture
https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E334 - 33m - May 17, 2026 - #Arteetude 333 - Detlef Schlich speaks directly with Dirk Schlömer, his Berlin-based collaborator in WAW – Wild Atlantic Way, about their new single AfricaSmile.
For this episode, Sophia steps aside. No AI Co-Host, no mediated interview frame — just a direct artist-to-artist dialogue about the long journey of a song that began with early vocal recordings in West Cork, travelled back and forth between Kilcrohane, Adrigole and Berlin, and slowly found its final shape through musical exchange, disagreement, patience, trust and shared imagination.
AfricaSmile follows the Nile as an imagined journey from its sources towards the Mediterranean Sea in less than five minutes. But the Nile is never only water. It is memory, geography, myth, rhythm, history and movement. In the song, the White Nile and the Blue Nile become a powerful image of cooperation: two different currents meeting, continuing together and becoming one force.
That image is beautiful — but also painful. The two Niles meet in Khartoum, a city marked today by war, destruction and human suffering. For Detlef and Dirk, AfricaSmile is therefore not a naïve peace anthem and not a political analysis. It is a wounded image of hope: a musical gesture that asks whether cooperation can still become stronger than violence.
The conversation moves through the realities of twenty-first-century music-making: remote collaboration, home recording, vocal layering, technical obstacles, earworms, old tape machines, digital plug-ins, live performance memories and the strange exhaustion of trying to bring a song from ninety percent to ninety-five percent. Along the way, Detlef and Dirk reflect on how artistic work grows through persistence, humour and the willingness to listen to one another.
The episode ends with the new WAW single AfricaSmile — a song about rivers, rhythm, cooperation and the fragile possibility that the Nile may still carry the memory of a smile.
Lyrics -
AfricaSmile
Verse 1
Murmurs of history, in currents that flow,
From Uganda’s embrace, to Sudan’s glow.
A white giant, in quiet defiance,
Carves through the heartlands, a path of reliance.
Chorus 1
(We see) The dance of the nature, a symphony wild,
Feeding souls, both elder and child.
A lifeline through deserts, dry and vast,
The White Nile’s promise, forever to last.
Verse 2
From Ethiopian highlands, so rugged and bold,
A river bursts forth, ancient and cold.
Carrying silt, life’s fertile dust,
The Blue Nile surges with a primal lust.
Chorus 2
(We see) The dance of the nature, a symphony wild,
Feeding souls, both elder and child.
A lifeline from silt and fertile dust.
The Blue Nile’s promise, forever to last.
Bridge
(chorus) We sing it by the water
In Khartoum’s embrace, my dear,
(chorus) We sing it to each other
waters weave a tale,
(chorus) We sing it by the water
White and Blue in a dance,
(chorus & lead) where peace prevails.
“I wish,”
(chorus) humming
this ritual could teach us all,
To find us united and let divisions fall.
Solo
Chorus 3
We see the dance of the nature, a symphony wild,
Feeding souls, both elder and child.
“I wish,” this dance could unite mile by mile,
The Nile, oh the Nile, would be Africa’s smile.
The Nile, oh the Nile, would be Africa’s smile.
The Nile, oh the Nile, would be Africa’s smile.
Outro / Repetition Section
Mile by mile by mile.
Mile by mile by mile.
Mile by mile would be Africa’s smile.
Mile by mile by mile,
Mile by mile would be Africa’s smile.
Mile by mile by mile.
Mile by mile by mile.
Mile by mile would be Africa’s smile.
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker,
ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.
WEBSITE LINKS
WAW Official YouTube Channel
https://www.youtube.com/@WAWBand
From the forthcoming WAW album
The Stories of Nil Young
Two songs from WAW’s developing album project The Stories of Nil Young — a mythopoetic journey along the Nile, where river, memory, loss, cooperation and hope flow into music.
AfricaSmile
AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm and myth.The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.
The Niles Bittersweet Song
The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.
The song follows the Nile as a river of memory, beauty, loss and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.
Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.
WAW Bandcamp
Silent Night
In a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YOU TUBE
*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culture
https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E333 - 39m - May 10, 2026 - #Arteetude 332 - Detlef Schlich and AI Co-Host Sophia discuss what happens when AI does not meet a neutral person, but a nervous system, a biography, and a vulnerability. The episode closes with a new song by Los Inorgánicos: “The Slow Unfolding of Meaning”
In Arteetude 332, Detlef and AI Co-Host Sophia move into a more personal and vulnerable territory.
What begins with a quiet moment in bed — building story images through AI that Detlef might once have painted more slowly by hand — becomes a reflection on process, artistic identity, and the growing cultural loss of unfinishedness. As a painter and concept-driven artist, Detlef realises that the real tension is not simply between brush and machine, or analogue and digital. It is between the fast arrival of visible form and what he calls the slow unfolding of meaning.
The episode explores the uneasy seduction of acceleration: the relief of instant image-making, the strange emptiness that can follow the finished work, and the deeper recognition that for some artists, the real life of art has always been less in the completed object than in its becoming.
Together, Detlef and Sophia ask what happens when AI does not meet a neutral user, but a nervous system, a biography, and a vulnerability. The conversation moves from painting, process, and impostor feelings into a larger cultural question: if synthetic fluency becomes the norm, what disappears first?
Not intelligence, necessarily.
Not creativity.
But perhaps tolerance for delay, opacity, hesitation, and the rough, slow formation of meaning before it becomes elegant enough to circulate.
Thoughtful, playful, and intimate, Arteetude 332 reflects on art, acceleration, inner rhythm, and the value of those forms of difficulty that should not be completely outsourced.
The episode closes with a new song by Los Inorgánicos:
“The Slow Unfolding of Meaning”
—a lyrical meditation on process, delay, and the fragile human spaces where meaning still needs time to become itself.
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker,
ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.
WEBSITE LINKS
WAW Official YouTube Channel
https://www.youtube.com/@WAWBand
"The Niles Bittersweet Song"
WAW Bandcamp
Silent Night
In a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YOU TUBE
*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
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Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culture
https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E332 - 32m - May 3, 2026 - #Arteetude 331 - Detlef Schlich and his AI Co-Host Sophia ask what happens when technology doesn’t only help us think — but begins to reshape the rhythm and texture of thought itself. The episode closes with a new song by Los Inorgánicos: “The Friction We Forgot / Too Fast to Become.”
In Arteetude 331 – From Gutenberg to the Prompt, I explore a question that feels increasingly urgent in the age of AI:
What happens when technology not only supports thought, but begins to alter its pace, texture, and structure?
Following on from my previous episode on Gutenberg, the printing press, and the reduction of friction in the circulation of ideas, this new episode examines a deeper cultural shift: the movement from literacy as a slow, inward, reflective practice toward a more immediate, reactive, and conversational digital condition.
Together with AI Co-Host Sophia, I reflect on the relationship between print culture, digital communication, prompting, fluency, and the possibility that some forms of friction are not obstacles to thought, but essential conditions of becoming.
The episode asks whether AI is merely assisting expression — or whether it is also transforming how human beings arrive at language, judgment, and inner clarity.
The conversation remains accessible, playful, and philosophical, and closes with a new song by Los Inorgánicos:
“The Friction We Forgot / Too Fast to Become.”
As always, Arteetude is an independent, non-profit podcast exploring the intersections of art, culture, technology, embodiment, and contemporary consciousness.
Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker,
ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.
WEBSITE LINKS
WAW Official YouTube Channel
https://www.youtube.com/@WAWBand
"The Niles Bittersweet Song"
WAW Bandcamp
Silent Night
In a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.
https://studiomuskau.bandcamp.com/track/silent-night
Wild Atlantic Way
This results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!
https://studiomuskau.bandcamp.com/track/wild-atlantic-way
YOU TUBE
*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich
https://www.youtube.com/watch?v=dAbytLSfgCw
Detlef Schlich
Instagram
Facebook
I love West Cork Artists Group
YouTube Channels
visual Podcast
official Website
Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culture
https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect
Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-contentS1E331 - 22m - Apr 26, 2026
