Kyle Meredith With... is an interview series in which WFPK&#39;s Kyle Meredith speaks to a wide breadth of artists. Meredith digs deep to find out how their work is made and where their journey is going. From legendary artists to the newer class, from musicians to film &amp; television stars, you&#39;ll hear about the things you were always curious about from all of your favorites.

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/10/4/20/c77205f0-c63a-4558-af8c-6fca69a39334_laraine_newman.mp3

Laraine Newman is all for scaring the kids a little. The Saturday Night Live original cast member talks with Kyle Meredith about returning as Granny Relda for season two of The Sisters Grimm, why the show’s mix of comedy and horror works just as well for adults, and how she can pull the character’s voice right back out of the trunk when it’s time to record. Newman also looks back at studying mime with Marcel Marceau, explains why she bailed when mime “got cute,” and admits it didn’t exactly inform her acting, although it did make her very good at Pilates. Along the way, Kyle and Newman also land on the career move nobody knew we needed: punk-rock mime.Listen to Laraine Newman chat about all this and more or watch it on <a href="https://youtu.be/rfPUH5sa18I" rel="nofollow">YouTube</a>. Please take the time to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Laraine Newman on The Sisters Grimm, Finding Her Voice, and Why Mime Got Too Cute

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/9/28/21/92e6c5ae-7d05-4748-a9d9-e4ae9c168834_wolf_parade___black_angels__rewind_.mp3

What happens when the world gets darker and the music starts absorbing it? In this KMW Rewind, Wolf Parade’s Dan Boeckner talks with Kyle Meredith about reuniting for Cry Cry Cry, why the band had to prove they could still write together before returning to the stage, and how political disillusionment found its way into songs like “Weaponized” and “Artificial Life.” Then The Black Angels’ Alex Maas digs into Death Song, the band’s connection to psychedelic history, the meaning behind the album’s title, and why he sees music as therapy rather than simply entertainment. Two conversations from 2017, and plenty of ideas that haven’t exactly stopped being relevant.Show your support for Kyle Meredith With by making sure to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Rewind: Wolf Parade’s Dan Boeckner & The Black Angels’ Alex Maas on Political Disillusionment, Music as Therapy, and Finding a Way Forward

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/9/28/6/212d5ff6-63f2-46b1-a041-270560990ec3_theo_rossi__2026_.mp3

Theo Rossi wants movies that leave you arguing in the parking lot. The Sons of Anarchy and Emily the Criminal star talks with Kyle Meredith about Come With Me, playing Simon as an ordinary guy enduring a “death by a thousand cuts,” and why the film was built to let audiences wrestle with whether he’s a victim or a villain rather than hand them an answer. Rossi also makes the case that we may be living through a new golden age of independent film, explains why actors can’t afford to “just be an actor” anymore, and talks about taking control of his career through producing, including The Saviors and his first rom-com, Maid of Dishonor, with Emily Hampshire. Also Prince, The Thing, Highlander, and the eternal question of whether your kids think the movies you grew up loving are actually any good all find their way in.Listen to Theo Rossi chat about all this and more or watch it on <a href="https://youtu.be/NrRdozwQASg" rel="nofollow">YouTube</a>. Please take the time to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Theo Rossi on Come With Me, the Indie-Film Boom, and Refusing to Be Typecast

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/9/18/21/9abd90e4-4d63-431e-b08d-e80b09460db5_dern_english___sex_pistols__paul_cook__rewind_.mp3

Modern English frontman Robbie Grey talks with Kyle Meredith about reuniting the band’s original lineup for 2017’s Take Me to the Trees, recapturing the fire of Mesh &amp; Lace and After the Snow, and writing “You’re Corrupt” amid Trump, Brexit, and widening inequality. Then Sex Pistols drummer Paul Cook takes the focus as he and Tom Spencer discuss rebuilding The Professionals without Steve Jones, creating a more contemporary version of the band’s poppy punk sound, and calling in famous friends to complete the album. Cook also looks back at the chaos surrounding the original Professionals and what it meant to keep that punk energy alive while “growing old disgracefully,” years before the band ultimately called it a day in 2024.Show your support for Kyle Meredith With by making sure to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Modern English Reclaims Its Post-Punk Fire, Sex Pistols’ Paul Cook Rebuilds The Professionals, and Punk Grows Old Disgracefully

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/9/18/21/ff1fa375-d307-4d5a-9d14-b6c3744e3fc3_peaches__2026_.mp3

Peaches is done with “me versus them,” but she’s definitely not done fighting. Talking with Kyle Meredith, Peaches digs into No Lube So Rude, her first album in a decade, and how a world getting more polarized pushed her back toward new music, while menopause, aging, sexuality, and the need for some actual communication all found their way into the songs. She also talks about growing older alongside the fans who first found her 25 years ago, the wild public reactions to political drag artist Jenna Marvin while filming the “You’re All Rights” video in Paris, and turning old opera costumes into something much stranger for her new live show. Turns out the lube is literal, political, generational, and maybe exactly what everybody needs.Listen to Peaches chat about all this and more or watch it on <a href="https://youtu.be/BwMpfuJ1wxM" rel="nofollow">YouTube</a>. Please take the time to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Peaches on No Lube So Rude, Menopause, and Fighting for Connection

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/9/16/13/1e552169-67c9-43f1-afb2-16f43b72f836_superchunk___dead_milkmen__rewind_.mp3

Sometimes keeping an old band alive means making sure it never turns into an oldies act. On this KMW Rewind, Superchunk’s Mac McCaughan and The Dead Milkmen’s Joe Jack Talcum talk with Kyle Meredith about why new music still matters decades into their careers, with McCaughan looking back at the urgency and anxiety that fueled What a Time to Be Alive and Talcum explaining why The Dead Milkmen only agreed to reunite if they kept writing. They also get into finding creativity inside a longtime band, balancing solo work with the group, and how punk can respond to the world without simply turning songs into newspaper headlines.Show your support for Kyle Meredith With by making sure to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Rewind: Superchunk’s Mac McCaughan and The Dead Milkmen’s Joe Jack Talcum on Turning Political Anxiety Into Punk, Why Reunions Need New Music, and Being Indie Lifers

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/9/8/20/b22d852a-1d0b-463e-8019-ba00bcef94b8_david_dastmalchian.mp3

David Dastmalchian is building M. Bison from the cult leader up. Talking with Kyle Meredith, the actor says the new Street Fighter finds Bison before he’s mastered Psycho Power, which meant digging into dictators, religious movements, and the psychology of getting people to follow you instead of simply playing the big bad boss. He also gets into the Tool, Nine Inch Nails, Joy Division, Nick Cave, and John Williams-heavy playlist he used to get into character, why director Kitao Sakurai’s practical, anything-goes approach made the set feel like living inside a video game, and becoming friends with co-star Orville Peck. Dastmalchian also talks Grave Conversations, why putting celebrities in coffins gets them opening up fast, and how Good Fiend Films has become a landing spot for the kind of horror, sci-fi, comic book, and genre stories where the weird stuff can still carry some big ideas.Listen to David Dastmalchian chat about all this and more or watch it on <a href="https://youtu.be/mUk0xJ-pNdU" rel="nofollow">YouTube</a>. Please take the time to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

David Dastmalchian on Street Fighter, Building M. Bison’s Cult, and the Tool-Fueled Soundtrack Behind the Role

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/9/8/20/fb9ab34b-59c0-47ca-9609-1b915666d41d_billy_bragg___valerie_june__rewind_.mp3

Songs have lives of their own, and some political ones have an unfortunate habit of becoming relevant all over again. In this KMW Rewind, Valerie June talks with Kyle Meredith across two archival conversations about drawing from spirituals and early blues, teaching herself to play around her voice, and making Pushing Against the Stone and The Order of Time, while Billy Bragg explains why protest writers need to spend as much time on the song as the protest. Along the way, June recalls recording with her family and writing the title track to Mavis Staples’ Livin’ on a High Note, while Bragg reveals how posing as a TV repairman helped launch his career.Show your support for Kyle Meredith With by making sure to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Rewind: Valerie June and Billy Bragg on Finding Your Voice, Keeping Traditions Alive, and Writing Protest Songs

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/9/7/14/85aee164-0ce0-4108-8d64-527f20cd8198_jeff_arcuri.mp3

Jeff Arcuri nearly canceled Nice to Meet You before therapy, trusted comic friends, and a month away from the footage helped him see what he had made. The comedian talks with Kyle Meredith about how corporate gigs, cruise ships, and 15 years of stand-up shaped his crowd work, while the Netflix special finally proves there’s much more to his act than improvisation. Arcuri also opens up about finding the right way to address his wife Katie’s cancer diagnosis, the strange sadness that followed the taping, adjusting his delivery overseas, and already having enough material for a new hour that he now needs to start cutting jokes.Listen to Jeff Arcuri chat about all this and more or watch it on <a href="https://youtu.be/CN0cIvQS_W4" rel="nofollow">YouTube</a>. Please take the time to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Jeff Arcuri on Nice to Meet You, Moving Beyond Crowd Work, and Nearly Canceling His Netflix Special

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/9/1/21/57a4c47e-e8cd-445c-9589-f0dc024dd317_slowdive__rewind_.mp3

Slowdive’s second act turned out to be much bigger than anyone in the band expected. In this Rewind, bassist Nick Chaplin looks back at the band’s self-titled comeback, the moment “Star Roving” proved they could make new music again, and realizing a younger generation saw them as a current band instead of a legacy act. Neil Halstead then talks with Kyle Meredith about following it with Everything Is Alive, building songs from electronic sketches and happy accidents, and balancing Slowdive’s love of classic pop with their more atmospheric, experimental side.Show your support for Kyle Meredith With by making sure to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Rewind: Slowdive on Their Unexpected Second Act, “Star Roving,” and Everything Is Alive

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/31/14/df1f5f25-f635-4132-a142-de78a5f8fd0c_brittany_howard__2026_.mp3

Brittany Howard talks with Kyle Meredith about how Alabama Shakes unexpectedly found their way back together after reuniting for a friend’s brewery fundraiser, which led from a few songs to an EP and eventually their first album in more than a decade, I Must Be Dreaming. Howard digs into the record’s psychedelic soul sound, rediscovering old songs like “Hold On” through a new perspective, and how the album found its story where our private fears, doubts, and dreams collide with a pretty uncertain world. She also opens up about having to push herself to write when she wanted to disappear, why the anger she sees right now actually gives her hope, and joining the Power to the People concert alongside one of her heroes, Tom Morello.Listen to Brittany Howard chat about all this and more or watch it on <a href="https://youtu.be/h0fmpoLkdZE" rel="nofollow">YouTube</a>. Please take the time to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Brittany Howard on Alabama Shakes’ Surprise Reunion, I Must Be Dreaming, and Finding Hope in an Angry World

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/25/20/a976da83-595d-42a0-b33e-0273c565899b_patrick_renna_and_danielle_fishel.mp3

Dugout Dads reunites some familiar faces, but Patrick Renna and Danielle Fishel have no interest in trying to recreate The Sandlot or Boy Meets World. The longtime friends talk with Kyle Meredith about Renna turning the insanity of Little League parents into a new comedy series, bringing his Sandlot castmates back as fictionalized versions of themselves, and why Fishel sees the whole thing as “rebooting a cast” instead of rebooting a classic. They also get into Renna independently funding and building the series for YouTube, plans to expand it into a full season with more of a Curb Your Enthusiasm feel, and the cameos already lining up, including Creed Bratton, Michael Peña, and potentially Seth Green.Listen to Patrick Renna and Danielle Fishel chat about all this and more or watch it on <a href="https://youtu.be/BRyRM0Z6RBc" rel="nofollow">YouTube</a>. Please take the time to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Patrick Renna & Danielle Fishel on Dugout Dads, Reuniting The Sandlot Cast, and Why Nostalgia Can’t Be Recreated

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/24/11/baf85404-2a6a-413e-ae85-03b73068e047_grace_cummings__2026_.mp3

Grace Cummings made Bloodhorse! like it might be the last thing she ever does, and that meant finally shutting out the voice telling her she was “too much.” Cummings talks with Kyle Meredith about going bigger and stranger with producer Jonathan Wilson, the animals and mythology running through the record, and how its themes only started revealing themselves after she finished it. She also gets into the hilarious AI-generated bro-country song buried in the middle of Bloodhorse!, why it’s deliberately surrounded by very real musicians playing very real instruments, and the joyful release behind “Witch,” including the moment Wilson handed her an actual scythe and sent her back in to sing it again.Listen to Grace Cummings chat about all this and more or watch it on <a href="https://youtu.be/OZpwYNSZxV8" rel="nofollow">YouTube</a>. Please take the time to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Grace Cummings on Bloodhorse, Studio Scythes, and Her AI Bro-Country Detour

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/19/3/8430b77f-e868-46e5-b974-302776e65082_weezer.mp3

Weezer finally got its mission statement together: “Let’s just work together.” Scott Shriner and Patrick Wilson talk with Kyle Meredith about The Gold Album, the band’s 20th record, and how sitting in a living room together turned the sessions into a creative rebirth. They also get into rejecting the modern obsession with grids and perfection, developing a stronger bass-and-drums connection, the self-aware message behind “CEO,” and taking the new songs on the road alongside The Shins and Silversun Pickups.Listen to Scott Shriner and Patrick Wilson chat about all this and more or watch it on <a href="https://youtu.be/JjNv1R5Zulo" rel="nofollow">YouTube</a>. Please take the time to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Scott Shriner & Patrick Wilson on Weezer’s Gold Album, Rediscovering Collaboration, and Rejecting Studio Perfection

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/17/13/1e3bf2eb-cbba-416c-bbb3-34867a4fdaf0_anthony_michael_hall__2026_.mp3

Anthony Michael Hall says the secret to a 50-year acting career is learning how to “outlast uncertainty,” and that can also mean signing up for a game show called Nation’s Dumbest. Hall talks with Kyle Meredith about getting past the title of the Fox and Hulu celebrity competition, being surprised by castmates like JoJo Siwa, Steve-O, Elle King, and Andrew Yang, and why the whole experience reminded him not to take himself too seriously. He also looks back at the difficult years that followed his John Hughes run, explains why he treated every TV guest spot like a major movie, and gets into upcoming projects including the indie horror-comedy Halloween Store and SWAT: Exiles. After five decades of peaks, valleys, horror, comedy, and action, Hall’s philosophy continues to be about staying humble, adapting, and remembering that at the end of the day, it’s still make-believe.Listen to Anthony Michael Hall chat about all this and more or watch it on <a href="https://youtu.be/PkbxyVOhemI" rel="nofollow">YouTube</a>. Please take the time to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Anthony Michael Hall on Nation’s Dumbest, Surviving 50 Years in Hollywood, and Halloween Store

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/11/20/78b80d6c-5e2b-46de-81c4-7c9d46ae8125_david_duchovny.mp3

David Duchovny says a song is already part of the past the moment you finish writing it, which helps explain why Prince of Pieces includes material he has carried for more than a decade. Talking with Kyle Meredith, he gets into using familiar images to hide personal truths, the creative reinvention that began when he picked up a guitar around age 50, and why screenwriting scratches a very different itch than novels or songs. He also opens up about acting opposite his daughter in Soapbox, the shrinking path for independent movies, and the lost thrill of laughing with a packed theater.Listen to David Duchovny chat about all this and more or watch it on <a href="https://youtu.be/WUyMFwaqDHE" rel="nofollow">YouTube</a>. Please take the time to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

David Duchovny on Prince of Pieces, Songwriting, and Independent Film

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/10/13/d643f681-18d1-4ae1-abb7-02ee03c621e2_david_rysdahl___lily_sullivan.mp3

David Rysdahl and Lily Sullivan join Kyle Meredith to dig into Soulm8te, talking about how the M3GAN universe uses horror to explore grief, addiction, and the ways technology fills emotional voids. Sullivan breaks down creating an android that always feels just a little off, drawing from old Hollywood, movement work, and ideas about constructed femininity, while Rysdahl explains why his character had to be played without judgment so audiences could decide for themselves. They also get into filming in Ireland, collaborating with director Kate Dolan, and how being screenwriters has changed the way they approach acting.Listen to David Rysdahl and Lily Sullivan chat about all this and more or watch it on <a href="https://youtu.be/yFTCwhFaRiw" rel="nofollow">YouTube</a>. Please take the time to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

David Rysdahl & Lily Sullivan on Soulm8te, AI Addiction, and Constructed Femininity

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/6/0/e311a911-5b33-4acc-922e-2225a4906f2e_jay_chandrasekhar.mp3

Jay Chandrasekhar wants Super Troopers 3 to help bring loud, R-rated comedy back to theaters, and he’s not interested in turning it into another political shouting match. Talking with Kyle Meredith, the Broken Lizard filmmaker explains why the new sequel plays like Meet the Parents meets Super Troopers, how Farva’s Indian wedding opened the door for some seriously edgy jokes, and why one gag still went too far to survive. He also gets into the Dukes of Hazzard-style car jump, Mac getting frozen in maple syrup, the future of Beerfest, and finally putting his decades of standup on camera for Brown Supremacist. Nine films in, Broken Lizard is still chasing the big laugh and leaving just enough bait for the studio to order another round.Listen to Jay Chandrasekhar chat about all this and more or watch it on <a href="https://youtu.be/pTpaciG1qVo" rel="nofollow">YouTube</a>. Please take the time to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Jay Chandrasekhar on Super Troopers 3, Bringing Back R-Rated Comedy, and Brown Supremacist

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This Rewind episode brings together two conversations about bands refusing to let a familiar sound become a comfortable trap. Guster’s Ryan Miller, speaking with Kyle Meredith in 2016, digs into Evermotion, moving beyond ’90s nostalgia, and reinventing the band through new instruments and studio experimentation, while Phoenix’s Thomas Mars looks back from 2017 on how Italian pop, cryptic English, Bowie, Prince, and getting bored with his own voice shaped Ti Amo. Both arrive at a similar place, making pop music that sounds joyful on the surface while something much stranger moves underneath.﻿Show your support for Kyle Meredith With by making sure to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Rewind: Guster and Phoenix on Reinvention, Escaping Nostalgia, and the Strange Side of Pop

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Jane Seymour catches up with Kyle Meredith to talk about why Harry Wild keeps getting better five seasons in, bringing Dr. Quinn, Medicine Woman co-star Joe Lando back into her orbit, and the chemistry that still “crackles” after decades together. She also shares how she helped make the reunion happen, recalls witnessing the infamous “Scottish play” curse firsthand, and explains why she’s already hoping for a sixth season. Plus, Seymour looks back at the unlikely legacy of her homes as creative sanctuaries where artists like Radiohead, The Cure, Johnny Cash, and New Order recorded iconic music, proving that creativity seems to follow her wherever she goes.Listen to Jane Seymour chat about all this and more or watch it on <a href="https://youtu.be/ggaVtodWun0" rel="nofollow">YouTube</a>. Please take the time to <a href="https://lnk.to/kylemeredithwith" rel="nofollow">like, review, and subscribe to KMW</a> wherever you get your podcasts, and keep up to date with all our series by following the <a href="https://consequence.net/category/consequence-podcast-network/" rel="nofollow">Consequence Podcast Network</a>. Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Jane Seymour on Harry Wild, Reuniting with Joe Lando, and Radiohead’s OK Computer

Kyle Meredith With... is an interview series in which WFPK's Kyle Meredith speaks to a wide breadth of musicians. Meredith digs deep into the artist's work to find out how the music is made and where their journey is going, from legendary artists like Robert Plant, Paul McCartney, U2, and Bryan Ferry, to the newer class of The National, St. Vincent, Arctic Monkeys, Haim, and Father John Misty.