Songs have lives of their own, and some political ones have an unfortunate habit of becoming relevant all over again. In this KMW Rewind, Valerie June talks with Kyle Meredith across two archival conversations about drawing from spirituals and early blues, teaching herself to play around her voice, and making Pushing Against the Stone and The Order of Time, while Billy Bragg explains why protest writers need to spend as much time on the song as the protest. Along the way, June recalls recording with her family and writing the title track to Mavis Staples’ Livin’ on a High Note, while Bragg reveals how posing as a TV repairman helped launch his career.

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Jeff Arcuri nearly canceled Nice to Meet You before therapy, trusted comic friends, and a month away from the footage helped him see what he had made. The comedian talks with Kyle Meredith about how corporate gigs, cruise ships, and 15 years of stand-up shaped his crowd work, while the Netflix special finally proves there’s much more to his act than improvisation. Arcuri also opens up about finding the right way to address his wife Katie’s cancer diagnosis, the strange sadness that followed the taping, adjusting his delivery overseas, and already having enough material for a new hour that he now needs to start cutting jokes.

Listen to Jeff Arcuri chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Slowdive’s second act turned out to be much bigger than anyone in the band expected. In this Rewind, bassist Nick Chaplin looks back at the band’s self-titled comeback, the moment “Star Roving” proved they could make new music again, and realizing a younger generation saw them as a current band instead of a legacy act. Neil Halstead then talks with Kyle Meredith about following it with Everything Is Alive, building songs from electronic sketches and happy accidents, and balancing Slowdive’s love of classic pop with their more atmospheric, experimental side.

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Brittany Howard talks with Kyle Meredith about how Alabama Shakes unexpectedly found their way back together after reuniting for a friend’s brewery fundraiser, which led from a few songs to an EP and eventually their first album in more than a decade, I Must Be Dreaming. Howard digs into the record’s psychedelic soul sound, rediscovering old songs like “Hold On” through a new perspective, and how the album found its story where our private fears, doubts, and dreams collide with a pretty uncertain world. She also opens up about having to push herself to write when she wanted to disappear, why the anger she sees right now actually gives her hope, and joining the Power to the People concert alongside one of her heroes, Tom Morello.

Listen to Brittany Howard chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Dugout Dads reunites some familiar faces, but Patrick Renna and Danielle Fishel have no interest in trying to recreate The Sandlot or Boy Meets World. The longtime friends talk with Kyle Meredith about Renna turning the insanity of Little League parents into a new comedy series, bringing his Sandlot castmates back as fictionalized versions of themselves, and why Fishel sees the whole thing as “rebooting a cast” instead of rebooting a classic. They also get into Renna independently funding and building the series for YouTube, plans to expand it into a full season with more of a Curb Your Enthusiasm feel, and the cameos already lining up, including Creed Bratton, Michael Peña, and potentially Seth Green.

Listen to Patrick Renna and Danielle Fishel chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Grace Cummings made Bloodhorse! like it might be the last thing she ever does, and that meant finally shutting out the voice telling her she was “too much.” Cummings talks with Kyle Meredith about going bigger and stranger with producer Jonathan Wilson, the animals and mythology running through the record, and how its themes only started revealing themselves after she finished it. She also gets into the hilarious AI-generated bro-country song buried in the middle of Bloodhorse!, why it’s deliberately surrounded by very real musicians playing very real instruments, and the joyful release behind “Witch,” including the moment Wilson handed her an actual scythe and sent her back in to sing it again.

Listen to Grace Cummings chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Weezer finally got its mission statement together: “Let’s just work together.” Scott Shriner and Patrick Wilson talk with Kyle Meredith about The Gold Album, the band’s 20th record, and how sitting in a living room together turned the sessions into a creative rebirth. They also get into rejecting the modern obsession with grids and perfection, developing a stronger bass-and-drums connection, the self-aware message behind “CEO,” and taking the new songs on the road alongside The Shins and Silversun Pickups.

Listen to Scott Shriner and Patrick Wilson chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Anthony Michael Hall says the secret to a 50-year acting career is learning how to “outlast uncertainty,” and that can also mean signing up for a game show called Nation’s Dumbest. Hall talks with Kyle Meredith about getting past the title of the Fox and Hulu celebrity competition, being surprised by castmates like JoJo Siwa, Steve-O, Elle King, and Andrew Yang, and why the whole experience reminded him not to take himself too seriously. He also looks back at the difficult years that followed his John Hughes run, explains why he treated every TV guest spot like a major movie, and gets into upcoming projects including the indie horror-comedy Halloween Store and SWAT: Exiles. After five decades of peaks, valleys, horror, comedy, and action, Hall’s philosophy continues to be about staying humble, adapting, and remembering that at the end of the day, it’s still make-believe.

Listen to Anthony Michael Hall chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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David Duchovny says a song is already part of the past the moment you finish writing it, which helps explain why Prince of Pieces includes material he has carried for more than a decade. Talking with Kyle Meredith, he gets into using familiar images to hide personal truths, the creative reinvention that began when he picked up a guitar around age 50, and why screenwriting scratches a very different itch than novels or songs. He also opens up about acting opposite his daughter in Soapbox, the shrinking path for independent movies, and the lost thrill of laughing with a packed theater.

Listen to David Duchovny chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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David Rysdahl and Lily Sullivan join Kyle Meredith to dig into Soulm8te, talking about how the M3GAN universe uses horror to explore grief, addiction, and the ways technology fills emotional voids. Sullivan breaks down creating an android that always feels just a little off, drawing from old Hollywood, movement work, and ideas about constructed femininity, while Rysdahl explains why his character had to be played without judgment so audiences could decide for themselves. They also get into filming in Ireland, collaborating with director Kate Dolan, and how being screenwriters has changed the way they approach acting.

Listen to David Rysdahl and Lily Sullivan chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Jay Chandrasekhar wants Super Troopers 3 to help bring loud, R-rated comedy back to theaters, and he’s not interested in turning it into another political shouting match. Talking with Kyle Meredith, the Broken Lizard filmmaker explains why the new sequel plays like Meet the Parents meets Super Troopers, how Farva’s Indian wedding opened the door for some seriously edgy jokes, and why one gag still went too far to survive. He also gets into the Dukes of Hazzard-style car jump, Mac getting frozen in maple syrup, the future of Beerfest, and finally putting his decades of standup on camera for Brown Supremacist. Nine films in, Broken Lizard is still chasing the big laugh and leaving just enough bait for the studio to order another round.

Listen to Jay Chandrasekhar chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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This Rewind episode brings together two conversations about bands refusing to let a familiar sound become a comfortable trap. Guster’s Ryan Miller, speaking with Kyle Meredith in 2016, digs into Evermotion, moving beyond ’90s nostalgia, and reinventing the band through new instruments and studio experimentation, while Phoenix’s Thomas Mars looks back from 2017 on how Italian pop, cryptic English, Bowie, Prince, and getting bored with his own voice shaped Ti Amo. Both arrive at a similar place, making pop music that sounds joyful on the surface while something much stranger moves underneath.

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Jane Seymour catches up with Kyle Meredith to talk about why Harry Wild keeps getting better five seasons in, bringing Dr. Quinn, Medicine Woman co-star Joe Lando back into her orbit, and the chemistry that still “crackles” after decades together. She also shares how she helped make the reunion happen, recalls witnessing the infamous “Scottish play” curse firsthand, and explains why she’s already hoping for a sixth season. Plus, Seymour looks back at the unlikely legacy of her homes as creative sanctuaries where artists like Radiohead, The Cure, Johnny Cash, and New Order recorded iconic music, proving that creativity seems to follow her wherever she goes.

Listen to Jane Seymour chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Rupert Grint, Seidi Haarla, and director Hanna Bergholm join Kyle Meredith to unpack the unsettling heart of Nightborn, where the real horror starts with the emotional chaos of new parenthood before Finnish folklore creeps in. Bergholm talks about channeling the forbidden emotions of early motherhood into the story, Haarla discusses exploring the shadows that come with becoming a parent, and Grint reveals he was expecting his own second child while filming, making the film’s anxieties hit even closer to home. They also get into building the couple’s intimacy through dance rehearsals, using animatronics to keep the baby mysterious, and why sometimes what’s scariest is everything no one warns you about after bringing a child home.

Listen to Rupert Grint, Seidi Haarla, and Hanna Bergholm chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Silo season 3 finally answers how the underground world began while turning some of its biggest villains into its most complicated characters. Talking with Kyle Meredith, Tim Robbins, Common, Alexandria Riley, Ashley Zukerman, and Jessica Henwick discuss Bernard's redemption arc, the shifting power dynamics between Robert and Camille Sims, and stepping into the "Before Times" to reveal the conspiracy that started it all. Along the way, they get into the show's political parallels, questions of truth versus survival, memory and identity, and why the series works best when its sci-fi is grounded in human choices.

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Ride or Die starts with the best kind of best-friend problem: one of them is an international assassin and that’s not even the whole mess. Octavia Spencer, Hannah Waddingham, Tessa Coates, and Matt Miller talk with Kyle Meredith about the Prime Video series, from Waddingham finally getting to go full action star and Spencer digging into the friendship at the center of it, to Coates building a female action story that sends the assassin back for her best friend instead of the typical husband or kid. Miller gets into making eight episodes feel like one big globe-trotting movie, even if most of Europe was secretly Prague, while everyone circles the bigger win here of “women of a certain age” getting to be funny, complicated, dangerous, and completely in charge of the ride.

Listen to Octavia Spencer, Hannah Waddingham, Tessa Coates, and Matt Miller chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Kurt Vile and Kevin Morby both know how to make city songs feel lonely, funny, half-haunted, and still totally wide open. Vile talks with Kyle Meredith about 2016’s B'lieve I’m Goin Down, being cartooned into a stoner squirrel on HBO’s Animals, fame arriving one weird step at a time, and writing songs that leave room for everyone else to move in. Morby then discusses 2017’s City Music, turning New York isolation into fiction from out in Los Angeles, building “1234” out of the Ramones and Jim Carroll, and leaving bands behind so he could try on every suit that fit. Two songwriters chasing loose ends, street noise, and the next version of themselves.

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Tori Amos talks with Kyle Meredith about In Times of Dragons, the concept record she built out of democracy cracking in real time, dangerous men behind the curtain, Celtic gods, witches, daughters, and the younger self who wrote "Silent All These Years." She also gets into writing fast, bringing Matt Chamberlain and John Evans back into the room, how her daughter Tash helped unlock the daughter’s role in the story, and why older records like Strange Little Girls can sneak back into the cupboard when the songs need the right ingredients. Heavy stuff, sure, but Tori still makes the dragon fight sound like a spell you can hum.

Listen to Tori Amos chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Jane Kaczmarek talks with Kyle Meredith about returning to Malcolm in the Middle for Life’s Still Unfair, reuniting with Bryan Cranston, and why Erik Per Sullivan deciding not to come back as Dewey might be the most quietly heroic thing of all. She also digs into The Boroughs, playing Alfred Molina’s wife for the fifth time, getting to die to "Thunder Road," and why this latest chapter has her thinking about love, theater, artichokes, Led Zeppelin, and the very real power of knowing when to say, “I’m good.”

Listen to Jane Kaczmarek chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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A rom-com may promise the ending, but Joel Courtney and director Andy Delaney tell Kyle Meredith that 40 Dates and 40 Nights is really about everything that happens in between. Delaney talks about using the genre as a way to focus on “the micro,” leaning into character details, awkward moments, and real-life experiences pulled directly from writer Sarah Howard’s own dating history. Courtney discusses finding Mason’s grounded, relatable side and reveals that his own love story is something of a rarity, having ultimately married the only woman he ever seriously dated. The two also dive into the chemistry between Courtney and co-star Bailee Madison, the importance of authenticity over broad comedy, and why the film’s failed dates had to feel like real people instead of cartoons.

Listen to Joel Courtney and Andy Delaney chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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