Where do ghosts dwell? It seems just about everywhere: television, film, photography, theater, video games, folk songs, and even your family vacations. Oh the humanties! Join your hosts Quest and Annabelle on cultural ghost tour in Ghosts Were People Too, a podcast that investigates ghosts through the lens of the arts &amp; humanities.

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/10/29/17/0983088d-b7e2-4104-87a8-0dc5de7a5737_gwp2_-_21_whaley_house_part_2_1_.mp3

How do we perform spectrality? How does marketing impact our experiences of haunted destinations? Go on an archival webquest with us and reconstruct Magelssen&#39;s clay pot with us in part 2 of the Whaley House Halloween Special!Make contact:@ghostswerepeopletoo (tumblr/instagram)<a href="mailto:gwp2pod@gmail.com" rel="nofollow">gwp2pod@gmail.com</a>Bibliography (for parts 1 &amp; 2):Carlson, Marvin. The Haunted Stage: The Theatre as Memory Machine. University of Michigan Press, 2001.Chapman University. Survey of American Fears. 2018.Coleman, Ed, and Jenn Coleman. “The Whaley House.” Coleman Concierge, n.d. [Insert article URL.]Garrick, David. “Old Town San Diego’s Historic Whaley House May Shift to For-Profit Operator.” The San Diego Union-Tribune, 6 Jan. 2021, https://www.sandiegouniontribune.com/2021/01/06/old-town-san-diegos-historic-whaley-house-may-shift-to-for-profit-operator/ .Glass, Dean. “The Ghosts at the Whaley House Get All the Publicity.” Reflections, Save Our Heritage Organisation, [publication date to verify].Hanks, Michele M. Haunted Heritage: The Cultural Politics of Ghost Tourism, Populism, and the Past. Routledge, 2016.Houran, James, Sharon A. Hill, Everett D. Haynes, and Ursula A. Bielski. “Paranormal Tourism: Market Study of a Novel and Interactive Approach to Space Activation and Monetization.” Cornell Hospitality Quarterly, vol. 61, no. 3, 2020, pp. 287–311. https://doi.org/10.1177/1938965520909094 .Jackson, Shirley. The Haunting of Hill House. Viking Press, 1959.Magelssen, Scott. “Living History Museums and the Construction of the Real through Performance.” Theatre Survey, vol. 45, no. 1, 2004, pp. 61–74.Magelssen, Scott. Simming: Participatory Performance and the Making of Meaning. [Publication details to verify.]McDevitt-Irwin, Jesse, and James R. Irwin. “Infant Mortality among US Whites in the 19th Century: New Evidence from Childhood Sex Ratios.” Demographic Research, vol. 52, 2025, pp. 303–350. https://doi.org/10.4054/DemRes.2025.52.10 .Nunn, Robert. “Flickering Lights and Declaiming Bodies: Semiosis in Film and Theatre.” Theatre Research in Canada / Recherches théâtrales au Canada, vol. 17, no. 2, 1996.Palyvou, Clairy. [Title of work on Minoan frescoes and pictorial space at Akrotiri to verify.]Phelan, Peggy. Unmarked: The Politics of Performance. Routledge, 1993.Piper, Liza. “When Scarlet Fever Came to This Country.” When Disease Came to This Country: Epidemics and Colonialism in Northern North America, Cambridge University Press, 2023, pp. 24–57.Rowen, Bess. The Lines Between the Lines: How Stage Directions Affect Embodiment. University of Michigan Press, 2021.Save Our Heritage Organisation. Whaley House Historic Site Lesson Plan. [Publication details to verify.]Schneider, Rebecca. “Performance Remains.” Performance Research, vol. 6, no. 2, 2001, pp. 100–108.Slayyyter. “WOR$T GIRL IN AMERICA.” 2026. [Album or single details to verify.]Stone, Philip R. “A Dark Tourism Spectrum: Towards a Typology of Death and Macabre Related Tourist Sites, Attractions and Exhibitions.” Tourism: An International Interdisciplinary Journal, vol. 54, no. 2, 2006, pp. 145–160.Whaley House. Whaley House Official Website. Historic Tours of America, https://www.whaleyhousesandiego.com/ . Accessed 29 Oct. 2026.Whaley House. Whaley House Website Archives. Internet Archive, https://web.archive.org/ . Accessed 29 Oct. 2026.Wood, Byrd. “Haunted Houses: Preservation Help or Horror?” National Trust for Historic Preservation, [publication date and URL to verify].The Journal of San Diego History. San Diego Historical Society Quarterly, vol. 6, no. 2, Apr. 1960.

21 - Whaley House Halloween Special Part 2

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/10/29/16/b61a9ac9-f3db-4734-8279-3c920bfa5a07_gwp2_-_20_whaley_house_part_1_1_.mp3

In this two-part Halloween special, we talk about America’s Most Haunted House®, The Whaley House in San Diego, CA. Join us on this walking tour of haunted tourism, the &#34;enchantment economy&#34;, and the history of the house&#39;s ghostly legends.Content Warning - Violet Whaley’s Suicide discussed from 1:16:54-1:28:40Make contact:@ghostswerepeopletoo (tumblr/instagram)<a href="mailto:gwp2pod@gmail.com" rel="nofollow">gwp2pod@gmail.com</a>Bibliography (for both part 1 &amp; part 2):<ul><li>Carlson, Marvin. The Haunted Stage: The Theatre as Memory Machine. University of Michigan Press, 2001.</li><li>Chapman University. Survey of American Fears. 2018.</li><li>Coleman, Ed, and Jenn Coleman. “The Whaley House.” Coleman Concierge, n.d. [Insert article URL.]</li><li>Garrick, David. “Old Town San Diego’s Historic Whaley House May Shift to For-Profit Operator.” The San Diego Union-Tribune, 6 Jan. 2021, https://www.sandiegouniontribune.com/2021/01/06/old-town-san-diegos-historic-whaley-house-may-shift-to-for-profit-operator/ .</li><li>Glass, Dean. “The Ghosts at the Whaley House Get All the Publicity.” Reflections, Save Our Heritage Organisation.</li><li>Hanks, Michele M. Haunted Heritage: The Cultural Politics of Ghost Tourism, Populism, and the Past. Routledge, 2016.</li><li>Houran, James, Sharon A. Hill, Everett D. Haynes, and Ursula A. Bielski. “Paranormal Tourism: Market Study of a Novel and Interactive Approach to Space Activation and Monetization.” Cornell Hospitality Quarterly, vol. 61, no. 3, 2020, pp. 287–311. https://doi.org/10.1177/1938965520909094 .</li><li>Jackson, Shirley. The Haunting of Hill House. Viking Press, 1959.</li><li>Magelssen, Scott. “Living History Museums and the Construction of the Real through Performance.” Theatre Survey, vol. 45, no. 1, 2004, pp. 61–74.</li><li>Magelssen, Scott. Simming: Participatory Performance and the Making of Meaning.</li><li>McDevitt-Irwin, Jesse, and James R. Irwin. “Infant Mortality among US Whites in the 19th Century: New Evidence from Childhood Sex Ratios.” Demographic Research, vol. 52, 2025, pp. 303–350. https://doi.org/10.4054/DemRes.2025.52.10 .</li><li>Nunn, Robert. “Flickering Lights and Declaiming Bodies: Semiosis in Film and Theatre.” Theatre Research in Canada / Recherches théâtrales au Canada, vol. 17, no. 2, 1996.</li><li>Phelan, Peggy. Unmarked: The Politics of Performance. Routledge, 1993.</li><li>Piper, Liza. “When Scarlet Fever Came to This Country.” When Disease Came to This Country: Epidemics and Colonialism in Northern North America, Cambridge University Press, 2023, pp. 24–57.</li><li>Rowen, Bess. The Lines Between the Lines: How Stage Directions Affect Embodiment. University of Michigan Press, 2021.</li><li>Schneider, Rebecca. “Performance Remains.” Performance Research, vol. 6, no. 2, 2001, pp. 100–108.</li><li>Slayyyter. “WOR$T GIRL IN AMERICA.” 2026. [Album or single details to verify.]</li><li>Stone, Philip R. “A Dark Tourism Spectrum: Towards a Typology of Death and Macabre Related Tourist Sites, Attractions and Exhibitions.” Tourism: An International Interdisciplinary Journal, vol. 54, no. 2, 2006, pp. 145–160.</li><li>Whaley House. Whaley House Official Website. Historic Tours of America, https://www.whaleyhousesandiego.com/ . Accessed 29 Oct. 2026.</li><li>Whaley House. Whaley House Website Archives. Internet Archive, https://web.archive.org/ . Accessed 29 Oct. 2026.</li><li>Wood, Byrd. “Haunted Houses: Preservation Help or Horror?” National Trust for Historic Preservation.</li><li>The Journal of San Diego History. San Diego Historical Society Quarterly, vol. 6, no. 2, Apr. 1960.</li></ul>

20 - Whaley House Halloween Special - Part 1

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/7/28/19/68d33b2f-b476-4cec-be50-079c14151ea7_part2gwp2_18annabelle_-_72826__9.50am.mp3

Banquo! Lady Macbeth! Shakesqueer! The Monster&#39;s Body Is a Cultural Body! Charles Manson! Playboy! Join us for Macbeth, Part 2, in which we explore changing beliefs about ghosts from the ancient world to Shakespeare&#39;s England and discuss how audiences, past and present, might understand Banquo&#39;s ghost. From there, we turn to Lady Macbeth&#39;s fractured experience of guilt and time before considering the many ways filmmakers have reimagined the play to reflect the anxieties of their own historical moments.Make contact:@ghostswerepeopletoo (tumblr/instagram)<a href="mailto:gwp2pod@gmail.com" rel="nofollow">gwp2pod@gmail.com</a>Read Quest&#39;s article! “Revenge of the Monster Queer: The Cosmic Horror and Eldritch Liberation of Drag&#34; in <a href="https://app.perusall.com/catalog/book/9781040683958" rel="nofollow">The Monstrous Utopian</a>, ed. Michael Chemers and Analola Santana, RoutledgeBibliography:<ul><li>Didion, Joan. The White Album. Simon &amp; Schuster, 1979.</li><li>Freebury-Jones, Darren, and Rachel Aanstad. “Did Shakespeare&#39;s Audiences Believe in Ghosts?” Shakespeare and Friends. YouTube, 18 Jan. 2026, <a href="https://www.youtube.com/watch?v=Br4N4RA0j_s" rel="nofollow">https://www.youtube.com/watch?v=Br4N4RA0j_s</a>. Accessed 28 July 2026.</li><li>Love, Heather. “Macbeth: Milk.” Shakesqueer: A Queer Companion to the Complete Works of Shakespeare, edited by Madhavi Menon, Duke University Press, 2011, pp. 201–208. JSTOR, <a href="https://doi.org/10.2307/j.ctv1134f1s.26" rel="nofollow">https://doi.org/10.2307/j.ctv1134f1s.26</a>. Accessed 28 July 2026.</li><li>Puhvel, Martin. “The Perplexing Ghost of Banquo: Ambiguity and Its Roots.” Neuphilologische Mitteilungen, vol. 94, no. 3, 1993, pp. 287–302. </li><li>Williams, Deanne. “Mick Jagger Macbeth.” Macbeth and Its Afterlife, edited by Peter Holland, Cambridge University Press, 2016, pp. 145–160.</li></ul>Films:<ul><li>Macbeth. Directed by Orson Welles, Republic Pictures, 1948.</li><li>Macbeth. Directed by Roman Polanski, Columbia Pictures, 1971.</li><li>Macbeth. Directed by Justin Kurzel, StudioCanal, 2015.</li><li>The Tragedy of Macbeth. Directed by Joel Coen, A24 and Apple Original Films, 2021.</li></ul>

19 - Macbeth Part 2: Red-Handed, Ghosts and Guilt

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/4/24/19/d700eb02-f62e-47a0-b13c-2fff5d9d4c5c_gwp218_part1.mp3

Is this a dagger, an inanimate ghost, or something more Freudian? In this, the first of a two-part episode, Annabelle and Quest venture onto the blasted heath to explore the apparitions and queer hauntings of William Shakespeare’s Macbeth. We talk about Quest’s work on a recent production of the play at the University at Buffalo, SUNY, and break down concepts regarding gender, kingship, violence, and the disruption of natural order.Make contact:@ghostswerepeopletoo (tumblr/instagram)<a href="mailto:gwp2pod@gmail.com" rel="nofollow">gwp2pod@gmail.com</a>Read Quest&#39;s article! “Revenge of the Monster Queer: The Cosmic Horror and Eldritch Liberation of Drag&#34; in <a href="https://app.perusall.com/catalog/book/9781040683958" rel="nofollow">The Monstrous Utopian</a>, ed. Michael Chemers and Analola Santana, RoutledgeBibliography<ul><li>Bersani, Leo. “Is the Rectum a Grave?” In Is the Rectum a Grave?: And Other Essays. University of Chicago Press, 2010.</li><li>Clover, Carol J. “Her Body, Himself: Gender in the Slasher Film.” In Men, Women, and Chain Saws: Gender in the Modern Horror Film. Updated edition with a new preface by the author. Princeton University Press, 2015.</li><li>Jones, Gwilym. “Macbeth: supernatural storms, equivocal earthquakes” In Shakespeare’s Storms. Manchester University Press, 2015.</li><li>Love, Heather. “Macbeth: Milk.” In Shakesqueer: A Queer Companion to the Complete Works of Shakespeare, edited by Madhavi Menon. Duke University Press, 2011.</li><li>Menon, Madhavi. “Queer Shakes.” In Shakesqueer: A Queer Companion to the Complete Works of Shakespeare, edited by Madhavi Menon. Duke University Press, 2011.</li><li>Sedgwick, Eve Kosofsky. Between Men: English Literature and Male Homosocial Desire. Columbia University Press, 1985.</li><li>Varnado, Christine. “Getting Used, and Liking It: Erotic Instrumentality and the Go-Between.” In The Shapes of Fancy: Reading for Queer Desire in Early Modern Literature. University of Minnesota Press, 2020.</li></ul>

18 - Macbeth Part 1:  Is This a Dagger? The Great Chain of Being, Blood, Milk, and Gender

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2025/10/28/0/a42d435e-4972-4390-ac25-7076f3fe7193_gwp2_-_17_ouija_1_.mp3

In this Halloween special, Quest and Annabelle talk about the poetics, play, and &#34;dangers&#34; of the Ouija board.Make contact:@ghostswerepeopletoo (tumblr/instagram)gwp2pod@gmail.comBibliography:“‘The Medium is the Message in the Spacious Present’: Channeling, Television, and the New Age” by Hugh Urban, in Handbook of Spiritualism and Channeling, ed. Cathy Gutierrez“​​Parlor Games: Play and Social Life in the Haunted House” in Supernatural Entertainments: Victorian Spiritualism and the Rise of Modern Media Culture by Simone Natale“Wars and Ouija: Spiritualism in the Twentieth Century” in Calling the Spirits by Lisa Morton“An Aesthetic History of the Ouija Board’ by Jesse Ryan Erickson, in Printing History“James Merrill, Sylvia Plath, and the Poetics of Ouija” by Helen Sword in American Literature, vol. 66, no. 3, 1994 https://doi.org/10.2307/2927604

17 - Ouija Boards (Happy Halloween 2025!)

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2025/8/26/20/e732352e-68d4-4f53-8b61-9d459c9dd7ea_gwp2_-_16_haunted_mansion_attic_2_.mp3

In this, the first of our series on Disneyland&#39;s Haunted Mansion, Annabelle and Quest climb into the attic to uncover its ghostly brides, gothic backstory, and Disney’s spooky-funny balance. From the Beating Heart Bride to Constance Hatchaway, we ask what this haunted attic reveals about our fears, our histories, and our love of ghosts.Make contact:@ghostswerepeopletoo (tumblr/instagram)gwp2pod@gmail.comBibliography:Davison, Carol Margaret. “Southern Gothic: Haunted Houses.” The Palgrave Handbook of the Southern Gothic, edited by Susan Castillo Street and Charles L. Crow, Palgrave Macmillan, 2016, pp. 57–74Donovan-Condron, Kellie. “Twisted Sisters: The Monstrous Women of Southern Gothic.” The Palgrave Handbook of the Southern Gothic, edited by Susan Castillo Street and Charles L. Crow, Palgrave Macmillan, 2016, pp. 369–83.Giles, David. “The Thousandth Happy Haunt: Legends of Burial and Haunting at Disneyland’s Haunted Mansion.” Western Folklore, vol. 74, no. 3/4, 2015, pp. 297–316.Martens, Todd. “First Look: Disneyland’s Original Haunted Mansion Returns with a Heartbreaking New Scene.” Los Angeles Times, 17 Jan. 2025.Steiner, Michael. “Frontierland as Tomorrowland: Walt Disney and the Architectural Packaging of the Mythic West.” Montana: The Magazine of Western History, vol. 48, no. 1, 1998, pp. 2–17.Surrell, Jason. The Haunted Mansion: Imagineering a Disney Classic. Disney Editions, 2009.Tromp, Marlene. “‘Throwing the Wedding-Shoe’: Foundational Violence, Unhappy Couples, and Murderous Women.” Victorian Review, vol. 20, no. 2, 1994, pp. 36–54.Truffin, Sherry R. “New Orleans as Gothic Capital.” The Palgrave Handbook of the Southern Gothic, edited by Susan Castillo Street and Charles L. Crow, Palgrave Macmillan, 2016, pp. 151–65.Weinstock, Jeffrey Andrew. “Hidden Histories: The Many Ghosts of Disneyland’s Haunted Mansion.” Disney Gothic: Dark Shadows in the House of Mouse. Edinburgh University Press, 2019, pp. 29–46.

16 - I Do, I Do, I Did! The Bride(s) of Disneyland's Haunted Mansion

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2025/7/7/21/2add97d5-b00f-4e72-8468-daf94b5ba288_gwp2_ep15_a_nightmare_on_elm_street_1_.mp3

Dreams, collective trauma, stranger danger, groomer panic, queer death drive/queer evil, and media horror - it&#39;s all lurking below the surface in A Nightmare on Elm Street (1984). Make contact:@ghostswerepeopletoo (tumblr/instagram)gwp2pod@gmail.comBibliographyEdelman, Lee. No Future: Queer Theory and the Death Drive. Duke University Press, 2004.Kendrick, James. “Razors in the Dreamscape: Revisiting A Nightmare on Elm Street and the Slasher Film.” Cinema Journal, vol. 50, no. 1, Fall 2010, pp. 60-78.Lieberman, Tucker. “The Trail of His Flames.” The American Reader, vol. 5, no. 1, Fall 2019.Schildcrout, Jordan. Murder Most Queer: The Homicidal Homosexual in the American Theater. University of Michigan Press, 2014.Thomsen, Morten Feldtfos. “‘Evil Never Dies, Right?’ Monstrous Mediation in the A Nightmare on Elm Street Film Series.” Journal of Aesthetics &amp; Culture, vol. 16, no. 1, 2024.

15 - Tina...!!! A Nightmare on Elm Street

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2025/1/7/2/9609ebc0-89a5-4333-b4ee-12cc27fbd95d_gwp2_-_13_hill_house_part_2audiophonic.mp3

Part two of our Haunting of Hill House special!In this episode we discuss Hill House as a character, the origins of the Victorian haunted house trope, and how... every room becomes a mouth! Make contact:@ghostswerepeopletoo (tumblr/instagram)gwp2pod@gmail.com

14 - The Haunting of Hill House (Part 2): Journeys End in Lovers Meeting

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2024/9/1/14/4edf3940-6d8e-43a1-9408-6c3ddbd6590f_hauntingep13fixed.mp3

For our very special 13th episode, we present part one of a two-part series on the novel The Haunting of Hill House by Shirley Jackson and its film adaptation The Haunting (1963). In part 1, we talk about the movie vs. the book, approaches to paranormal research, the Cult of True Womanhood, monstrous family systems, and Lesbians!Make contact:@ghostswerepeopletoo (tumblr/instagram)gwp2pod@gmail.comBibliography“Walking Alone Together: Family Monsters in The Haunting of Hill House” by Richard PascalInterview: Laurence Jackson Hyman on his mother Shirley: ‘Her work is so relevant now…’ by Rachel Cooke. The Guardian.“Opening Up” in Men, Women, and Chain Saws by Carol CloverThe Haunting of Hill House, Introduction by Laura Miller“Walking Alone Together: Family Monsters in The Haunting of Hill House” by Richard Pascal in Studies in the NovelQueer for Fear, Episode 4Welter, Barbara. “The Cult of True Womanhood: 1820-1860.” American Quarterly, vol. 18, no. 2, 1966, pp. 151–74. JSTOR, https://doi.org/10.2307/2711179. Accessed 31 Aug. 2024.

13 - The Haunting of Hill House (Prt. 1): AND They Were Roommates

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2024/4/1/16/b37089ec-5850-4a27-8cd9-97656758ba40_gwp2_ep_12_folk_songs.mp3

Ballads and broadsides, sailors and skeletons, sisters and sampling, and... have you seen the ghost of John? Join us to talk about ghosts in folk music. We touch on some common themes and formats as well as academic approaches to analyzing and archiving folk tunes/lyrics. Come for the intertextuality, sociofunctionalism, politics, and anthropology-- stay for the boos.Want to sing along? Make contact:Make contact:@ghostswerepeopletoogwp2pod@gmail.comBibliography<ul><li>&#34;Shall I Sing You a Ghost Story: The Nature and Purpose of Ghost Songs in Maritime Communities of Northern New England and Atlantic Canada&#34; by Richard A. Blake (2019). All Graduate Plan B and other Reports. </li><li>“Ghosts of Voices: Hauntology and Folk Music” by Eamon Byers. Folk Horror Revival: Harvest Hymns. Volume I- Twisted Roots, Volume 1</li><li>&#34;Folk Songs as Socio-Historical Documents&#34; by John Greenway. Western Folklore, vol. 19, no. 1, 1960, pp. 1–9. JSTOR.</li><li>“The English, Scottish, and American Versions of the ‘Twa Sisters’” by Archer Taylor, in The Journal of American Folklore</li><li>“‘The Twa Sisters’—Going Which Way?” by Harbison Parker, in The Journal of American Folklore</li><li>“Magical Corpses: Ballads, Intertextuality, and the Discovery of Murder” by David Atkinson, in Journal of Folklore Research</li><li>“Comparativism and the Functional Contexts of Myths and Rituals”, from Mythography by William Doty</li><li>“Maieutic, Creative Myth: Conveying Values and Systems of Interpreting Reality (Definition, part 2)”, from Mythography by William Doty</li><li>&#34;&#39;Have You Seen The Ghost Of John” is a kids’ song that actually chills&#39;&#34; by Mariah Eakin. <a href="https://www.avclub.com/have-you-seen-the-ghost-of-john-is-a-kids-song-that-1798241522" rel="nofollow">AV Club.</a></li><li>&#34;“Ghost of John”: Appalachia’s Most Ghoulish Lullaby&#34; by Musette. <a href="https://musettedc.medium.com/ghost-of-john-a-childrens-song-terrifying-them-since-grade-school-6fdaa127f4ec" rel="nofollow">Medium. </a></li></ul> Songs<ul><li>Alan Mills (The Ghostly Sailors)-Accordion <a href="https://youtu.be/CpysXQtf1Y0?si=tbeb8EzPfeSZUpeJ" rel="nofollow">https://youtu.be/CpysXQtf1Y0?si=tbeb8EzPfeSZUpeJ</a></li><li>Houlihan (The Ghostly Sailors)-Acapella <a href="https://youtu.be/k7wbShaiZGg?si=83P6fIghjOiH-_qh" rel="nofollow">https://youtu.be/k7wbShaiZGg?si=83P6fIghjOiH-_qh</a></li><li>Have You Seen the Ghost of John (Children Singing) <a href="https://youtu.be/6F9mcvX9pXE?si=zoSRCe_c2IM9kCs7" rel="nofollow">https://youtu.be/6F9mcvX9pXE?si=zoSRCe_c2IM9kCs7</a></li><li>“Binnorie (The Twa Sisters)” as sung by Custer LaRue <a href="https://youtu.be/rLBBg4MjO6o" rel="nofollow">://youtu.be/rLBBg4MjO6o</a></li><li>The Geography by Belbury Poly</li><li><a href="https://youtu.be/vv4tsUg7MLQ" rel="nofollow">https://youtu.be/vv4tsUg7MLQ</a></li></ul>

12 - Ghosts in Folk Music

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2024/1/3/3/236cccae-b167-425d-8418-84d2a9e512ed_gwp2_ep_10_angela_deane_ii.mp3

Baltimore-based artist Angela Deane paints sheet ghosts onto found photos. You might know Deane&#39;s work from the cover of Phoebe Bridgers&#39; Stranger in the Alps (2017) or perhaps you&#39;ve seen her ghosties elsewhere in the great digital regions beyond.This is part 2! Go check out part 1 (episode 10) We dare you. Here, we talk about nostalgia theory, leisure photography, and kitsch. Enjoy!Make contact:@ghostswerepeopletoogwp2pod@gmail.comBibliographyhttps://angeladeane.com/home.htmlThe Hours Have Lost Their Clock by Grafton TannerThe Way We Never Were: American Families and the Nostalgia Trap by Stephanie CoontzScarbrough, Elizabeth. “Unimagined Beauty.” The Journal of Aesthetics and Art Criticism, vol. 72, no. 4, 2014, pp. 445–49. JSTOR, http://www.jstor.org/stable/43282368. Kitson, Jennifer, and Kevin McHugh. “Historic Enchantments – Materializing Nostalgia.” Cultural Geographies, vol. 22, no. 3, 2015, pp. 487–508. JSTOR, https://www.jstor.org/stable/26168663.Goodwin, Sarah Webster. “Domesticity and Uncanny Kitsch in ‘The Rime of the Ancient Mariner’ and Frankenstein.” Tulsa Studies in Women’s Literature, vol. 10, no. 1, 1991, pp. 93–108. JSTOR, https://doi.org/10.2307/463954. “Chapter 5: Chansonetta Stanley Emmons’s Nostalgic Views” from At the Edge of Sight: Photography and the Unseen by Shawn Michelle Smith

11 - Angela Deane Part 2: Wish You Were Here (Nostalgia, Leisure Photography, and Kitsch)

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2024/1/3/1/da5497f7-c4ae-40d5-ac34-fcae85062167_gwp2_ep_10_angela_deane_i.mp3

Baltimore-based artist Angela Deane paints sheet ghosts onto found photos. You might know Deane&#39;s work from the cover of Phoebe Bridgers&#39; Stranger in the Alps (2017) or perhaps you&#39;ve seen her ghosties elsewhere in the great digital regions beyond.In this, part one of a two-part episode, we talk briefly about nostalgia (more on that in part 2), and then dig into Deane&#39;s artist statement. What does it mean to capture a moment in time? Photography as an art form plays with notions of presence and absence. How does spirit photography manage equations of presence and absence? How does Angela Deane play with these concepts in her Ghost Paintings?Then, we revisit theories and histories regarding spirit photography (see Episodes 1 &amp; 2 for more) to contextualize the impact of Deane&#39;s contemporary take on image doctoring.Note: Annabelle now knows how to pronounce &#34;Prarie Schooner&#34; thanks to a two-second Google search. Whoops. Peace and Love. Make contact:@ghostswerepeopletoogwp2pod@gmail.comBibliographyhttps://angeladeane.com/home.htmlPhotography and Spirit by John Harvey, “Chapter 3: Art”At the Edge of Sight: Photography and the Unseen by Shawn Michelle Smith, “Chapter 5: Chansonetta Stanley Emmons’s Nostalgic Views”MORGAN, JAMES. “NOSTALGIA.” Prairie Schooner, vol. 8, no. 3, 1934, pp. 153–153. JSTOR, http://www.jstor.org/stable/40622498.

10 - Angela Deane Part 1: Say Cheese! Absence, Presence, Spirit Photography & Deane's Ghost Paintings

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2023/10/29/2/2221c3d9-9585-4375-832d-e0f50f0dac5f_gwp2_ep9_x_files_elegy.mp3

Happy Halloween! It&#39;s Spooky (Mulder) Season, so we&#39;re talking about ghosts in the X-Files S4E22 &#34;Elegy&#34;. It&#39;s not the only X-Files episode with ghosts, but it&#39;s a particularly creepy one. We hope you enjoy our discussion of haunted bowling alleys, inconvenient nosebleeds, white woman Wednesday, and pills that make you a serial killer. What are ghosts? What are frogs? Listen even though you probably won&#39;t find out. Mild content warning for discussion of femicide and ableism, specifically pertaining to people with autism. Make contact:@ghostswerepeopletoogwp2pod@gmail.comBibliography<ul><li>The Official Guide to The X-Files: I Want to Believe by Andy Meisler</li><li>“Current Superstitions. I. Omens of Death” by Fanny D. Bergen, W. M. Beauchamp, and W. W. Newell, in The Journal of American Folklore</li><li>“Current Superstitions. II. Omens of Death (continued)” by Fanny D. Bergen, W. M. Beauchamp, and W. W. Newell, in The Journal of American Folklore</li><li>“American Attitudes to Death” by Charles O. Jackson, in Journal of American Studies</li><li>“Bowling Alone: In which she is me” by Emily St. James, in Monsters of the Week: The Complete Critical Companion to The X-Files by Zack Handlen &amp; Emily St. James</li></ul>

9 - The X-Files S4E22 "Elegy" (Fetch Still Doesn't Really Happen)

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2023/10/9/1/b6d0d863-386e-495a-bc08-a27260a2097d_gwp2_ep8_ghostbusters_ii__1_.mp3

Is Ghostbusters the most American movie ever made? Your Ghost Hosts answer this and other questions you never asked in Part II of II on Ghostbusters (1984). We discuss the iconic film through multiple critical lenses including immigration, invaders, Orientalism, Spiritualism, the Occult, and Ghosthunting Capitalism.Make contact:@ghostswerepeopletoogwp2pod@gmail.comBibliography“Opening Up” in Men, Women, and Chain Saws by Carol Clover“Immigrants as aliens in the Ghostbusters films” by Zoila ClarkOrientalism by Edward SaidAnderson, Matthew N., and Collin L. Brown. &#34;&#34;We&#39;re Ready to Believe You!&#34;: Spiritualism and the Interpretation of Paranormal Experience in Ghostbusters (1984).&#34; The Paranormal and Popular Culture, 2019, pp. 133-146.Podcast Episode: “How the Evangelical Machine Got Made” by The Experiment Podcast Series: The Orange Wave: A History of the Religious Right Since 1960<a href="https://www.apollo-magazine.com/rudolf-steiner-occult-modernism/" rel="nofollow">https://www.apollo-magazine.com/rudolf-steiner-occult-modernism/</a><a href="https://superweirdsubstance.com/nikola-tesla/" rel="nofollow">https://superweirdsubstance.com/nikola-tesla/</a>

8 - Ghostbusters Part 2: Creeponomics & Dan the Man

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2023/9/7/17/399891f8-abbe-41d6-841c-1fec150850a4_gwp2_ep7_ghostbusters_i__1_.mp3

Bustin&#39; makes me feel... bad? What was meant to be an &#34;easy, breezy, beautiful&#34; 80s night became a two-part &#34;cold hard research&#34; episode. In part one, Quest and Annabelle give their first impressions of Ghostbusters (1984). They also unpack the &#34;totemic nostalgia&#34; of the original franchise and explore the film through the lens of the monstrous-feminine and possession.Make contact:@ghostswerepeopletoogwp2pod@gmail.comBibliography“Opening Up” in Men, Women, and Chain Saws by Carol Clover“Immigrants as aliens in the Ghostbusters films” by Zoila Clark, in Australasian Journal of Popular Culture“The Monstrous-Feminine: An Imaginary Abjection” by Barbara Creed“Busters Behind the Ghosts” by Joanna Lipari, in Film Comment“‘Now That I Have It, I Don’t Want It’: Vocation and Obligation in Contemporary Hollywood Ghost Films” by James A. Miller, in Folklore/Cinema: Popular Film as Vernacular Culture<a href="https://tornightfire.com/the-horror-of-nostalgia-chasing-ghosts-in-the-hollow-kind/" rel="nofollow">THE HORROR OF NOSTALGIA: CHASING GHOSTS IN THE HOLLOW KIND</a> by Andy Davidson“Bitches Ain’t Gonna Hunt No Ghosts”: Totemic Nostalgia, Toxic Fandom and the Ghostbusters Platonic by William Proctor in Palabra Clave.

7 - Ghostbusters Part 1: Cold Hard Research

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2023/6/2/18/f55183e0-6176-4c56-9224-93460ae791b2_gwp2_ep6_sheet_ghosts__2_.mp3

What are the cultural and artistic origins of spooky floating sheets? It&#39;s a familiar kitschy image with shrouded beginnings. Let&#39;s talk about little tamale men, skeleton trios, Obi-Wan Kenobi, ghost impersonators, pantyhose, and more. Plus, enjoy some cringe-worthy red-carpet commentary on medieval and Elizabethan art.Make contact:@ghostswerepeopletoo (Bonus: See images from this episode here!)gwp2pod@gmail.comBibliography<ul><li>“Why Ghosts Wear White Sheets (And Other Spectral Silliness)” by Rae Alexandra for KQED</li><li>“Assault, Robbery, and Murder: The Dark History of ‘Bedsheet Ghosts’” by Lucas Reilly for Mental Floss</li><li>“Why Are Ghosts Depicted Wearing Bedsheets?” by Spencer McDaniel for Tales of Times Forgotten</li><li>“Playing Dead: Staging Corpses, Ghosts, and Statues in Early Modern Drama” by Sarah Outterson-Murphy</li><li>The Ghost: A Cultural History by Susan Owens</li></ul>

6 - Sheet Ghosts

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2023/4/17/20/a24843ca-cde8-4665-9738-464ac934513f_gwp2_ep5_luigis_mansion.mp3

Luigi is no longer second banana in the GameCube cult classic Luigi&#39;s Mansion (2001). In this episode, we talk about doubling, haunted portraits, haunted houses, ludic space, and so much more. Will video games be the next frontier of storytelling and critical research? Is Luigi, a plumber from Brooklyn, a working class hero? Let&#39;s talk about it on Ghosts Were People Too. Make contact:@ghostswerepeopletoogwp2pod@gmail.comBibliography“Ludic Space in Horror Fiction” by Onni Mustonen, in Mediating Vulnerability“The Great Staging of Luigi&#39;s Mansion” by B-Mask“Haunted Houses” in Haunting Experiences: Ghosts in Contemporary Folklore by Diane E. Goldstein“What Makes Luigi’s Mansion So Special?” by DuoStuff/Game Over AnalysisLuigi’s Mansion (2001) – Game FootageGothic Tropes: Animate Portraits and Tapestries by The Gothic Library, https://www.thegothiclibrary.com/gothic-tropes-animate-portraits-and-tapestries/Haggerty, George E. “Gothic Portraits.” The Eighteenth Century, vol. 57, no. 1, 2016, pp. 141–44. JSTOR, https://www.jstor.org/stable/eighcent.57.1.141.Kamilla Elliott. Portraiture and British Gothic Fiction: The Rise of Picture Identification, 1764–1835, Portraiture and British Gothic Fiction. JHU Press, 2012

5 - Luigi's Mansion: Games, Doubles, & Portrait Ghosts

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2023/2/21/14/f60903b5-bb9e-40e5-9c56-ad6bd3a50964__ep4_animated_ghosts_normalized.mp3.crdownload.mp3

Cartoons and ghosts go way back, from spooky magic lantern shows to Disney&#39;s first spooky-scary Silly Symphony. In this episode, we talk about the relationship between scary and funny, as well as the roles ghosts play in contemporary cartoons, particularly select episodes of Spongebob Squarepants and Adventure Time.Episodes Discussed <ul><li>Spongebob Squarepants, “Scaredy Pants” (S1E13a)</li><li>Spongebob Squarepants, “Graveyard Shift” (S2E16a)</li><li>Spongebob Squarepants, “The Legend of Boo-Kini Bottom” (S11E5)</li><li>Adventure Time, “Heat Signature” (S2, E26)</li><li>Adventure Time, “Ghost Fly” (S6E17)</li><li>Adventure Time, “Blank-Eyed Girl” (S7E19)</li></ul> Also Mentioned<ul><li>Spongebob Squarepants, &#34;Shanghaied&#34; (S2E13a)</li><li>Spongebob Squarepants, &#34;Squidward the Unfriendly Ghost&#34; (S1E11b)</li></ul> Make contact:@ghostswerepeopletoogwp2pod@gmail.com Bibliography Dark Places by Barry Curtis“Horror and Humor” by Noël Carroll. The Journal of Aesthetics and Art Criticism Vol. 57, No. 2, Aesthetics and Popular Culture (Spring, 1999), pp. 145-160 (16 pages)

4 - Animated Ghosts (Spongebob Squarepants and Adventure Time)

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2023/1/24/3/0118ecfa-6152-4b75-ba0b-fbac7083ae38_gwp2_ep3blithespirit.mp3

Tonight we lead by counter-example as we explore Noël Coward&#39;s 1941 play Blithe Spirit by way of its movie adaptations. They could have been better, and that&#39;s interesting!Hour 1: After discussing David Lean&#39;s challenges in making the 1945 film adaptation, including limitations of Hays code-era filmmaking, Annabelle gives a scathing review of the newly &#34;liberated&#34; 2020 Edward Hall version. Hour 2: Quest offers his theatrical expertise to lead a conversation about Blithe Spirit&#39;s value as a live performance and how the play is uniquely suited to the stage. We also discuss gender roles, category crisis (presence and absence, skepticism/belief, monogamy/polygamy), class hauntings, and sexuality.There will be spoilers, but we hope they won&#39;t discourage you from seeking out a script, performance, or (maybe) a cinematic version of this wonderful play about marriage, mediumship, and of course, ghosts.Note: This episode is marked explicit for some mild cursing and a very brief discussion of sexual content.Make contact:@ghostswerepeopletoogwp2pod@gmail.comBibliographyNoel Coward and Radclyffe Hall: Kindred Spirits by Terry Castle‘Blithe Spirit’ Review: Flat, Dated Resurrection of Noël Coward Farce Proves Some Things Are Better Left Dead,&#34; Guy Lodge for Variety (2020)

3 - Blithe Spirit: Shadow Work on Stage and Screen (1941, 1945, & 2020)

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2022/11/29/5/71eb3e0a-e874-474e-a6b9-7ae4c7b384df_reedit_2_spiritualism_prt2.mp3

In this episode, Annabelle talks about spirit photography and its connections to the history of photography as a technology and artistic medium. We also discuss the infamous Mumler trial and how it is a great example of 19th-century attitudes toward skepticism, faith, and death. Finally, we wrap up our discussion of Spiritualism (for now) with reflections on the scale of the Spiritualist movement (hint: it was huge) and why it still matters today. Also, if you listen to the end, Quest, by popular demand, tells you what was up with D.D. Hume and those Russian emeralds.Make contact:@ghostswerepeopletoogwp2pod@gmail.com Bibliography<ul><li>The Apparitionists by Peter Manseau</li><li>Calling the Spirits by Lisa Morton, Chapter 4: The Victorians and Spiritualism; or, The Seance is Born</li><li>Looking Askance: Skepticism and American Art from Eakins to Duchamp by Michael Leja</li><li>“The Medium on the Stage: Theatricality and Performance in the Spirit Séance” from Supernatural Entertainments by Simone Natale</li><li>“Where Paranoid Meets the Paranormal: Speculations on Spirit Photography” by Louis Kaplan May 2014<a href="https://www.researchgate.net/journal/Art-Journal-0004-3249" rel="nofollow">Art Journal</a> 62(3):18-27</li></ul> Links and Further Reading<ul><li>Conrad Young, Contemporary Tintype Photographer in Southern California: <a href="https://www.conradfilm.com/" rel="nofollow">https://www.conradfilm.com/</a></li><li>Last Photo of Abraham Lincoln: <a href="https://www.washingtonpost.com/history/2021/12/28/lincoln-death-photo/" rel="nofollow">https://www.washingtonpost.com/history/2021/12/28/lincoln-death-photo/</a></li><li>Vice on ghost photography: <a href="https://youtu.be/Xsx6xqi0vzU" rel="nofollow">https://youtu.be/Xsx6xqi0vzU</a></li><li>(Our Queen) Caitlin Doughty on spirit photography: <a href="https://youtu.be/BNuV6bRStXU" rel="nofollow">https://youtu.be/BNuV6bRStXU</a></li><li>More on Death and the American Civil War: This Republic of Suffering: Death and the American Civil War by Drew Gilpin Faust</li></ul>

2 - Spiritualism Pt. 2: Spirit Photography and More Humbug!

A podcast that investigates ghosts through the lens of the arts & humanities.

Where do ghosts dwell? It seems just about everywhere: television, film, photography, theater, video games, folk songs, and even your family vacations. Oh the humanties! Join your hosts Quest and Annabelle on cultural ghost tour in Ghosts Were People Too, a podcast that investigates ghosts through the lens of the arts & humanities.