Rhythm &amp; Rhymes is your global hub for all black music.

From discussing new releases and trends to exploring the business side of music, we provide dynamic &amp; enlightening perspectives.

Join us as we explore the connections between the past and present, unearthing the stories that have profoundly shaped our diverse musical landscape. Get ready to embark on a rhythmic journey that celebrates black music&#39;s powerful legacy and evolving influence worldwide.

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/9/25/12/ffd1c5f4-dd5d-4524-9b48-e5017e0d440a_26-8-24_2F78431a0f-2955-f57e-5ca9-c0be26d1acbd.mp3

Is Afrobeats’ global rise a story of talent, label investment, political influence, or overlapping forces? AJ and Antonio debate the Chocolate City/CIA claim, what counts as evidence, and how soft power might operate through music. Plus: AI tributes to deceased artists and a BXKS discovery. CHAPTERS 00:00 Cold open and introduction 01:00 The Spearhead video and its claims 02:00 Chocolate City: connections versus evidence 08:00 Can soft power work without political lyrics? 11:00 CKay, label promotion and “industry plants” 13:00 Tems and connecting the dots 15:00 Who is Afrobeats being made for? 17:00 Soft power wrap-up and AI tributes 19:00 Discovering BXKS 22:00 Final thoughts and music recommendations Rhythm &amp; Rhymes is modern radio for global black sounds.

Afrobeats, the CIA & the Politics of Popular Music

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Antonio breaks down UMG&#39;s licensing deal with ElevenLabs for a fan remix platform, what it could mean for DJs, and whether AI is a boost or just ease. Then: Rick Rubin&#39;s Jay-Z In 8 and whether song by song beats start to finish, AJ plays Antonio his first Bouyon, Jhené Aiko&#39;s Westside Whimsy, Rio The Young OG, and Unknown T&#39;s Listen. Subscribe + listen everywhere: https://linktr.ee/RealRandR R&amp;R is Modern Radio for global black sounds.

UMG's AI Remix Deal, Jay-Z In 8, Jhené Aiko & Unknown T

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Join the R&amp;R newsletter: <a href="https://open.substack.com/pub/rhythmandrhymes" rel="nofollow">https://open.substack.com/pub/rhythmandrhymes</a> We wanted to be at Afro Plus Fest. Then we saw how the weekend unfolded.AJ and Antonio discuss the storm, entry problems, and attendee reactions—and why criticizing one festival shouldn’t become an indictment of Black-led events.Also: Kanye West’s Chicago reunion, why Big Sean keeps catching strays, and whether Nemzzz’s Locked In would work better as a shorter project. We unpack the NAACP’s new African award categories and revisit Beyoncé’s B’Day at 20, including Antonio discovering the Spanish version of “Irreplaceable.”Modern radio for global Black sounds 00:00 Cold open &amp; introduction 01:00 Afro Plus Fest: expectations vs. reality 08:00 Did Afro Plus grow too fast? 11:00 The devil or poor project management? 12:00 Kanye West’s Chicago reunion 17:00 Why does Big Sean keep catching strays? 19:00 Nemzzz’s Locked In &amp; the case for shorter projects 23:00 NAACP’s new African award categories 26:00 Beyoncé’s B’Day at 20 &amp; Spanish “Irreplaceable” 31:00 The Beyoncé AI debate 33:00 Closing

Afro+ Fest, Kanye’s Reunion & Beyoncé’s B’Day at 20

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Subscribe to R&amp;R on Substack: https://substack.com/@rhythmandrhymes Dolly Parton refused to give Elvis Presley’s team half the publishing rights to “I Will Always Love You.” Years later, Whitney Houston transformed the song into a global phenomenon—and reportedly made Dolly roughly $10 million in royalties. AJ and Antonio break down the ownership decision behind “the house that Whitney built” before discussing Kelvin Momo’s dispute with Kabza De Small and what it reveals about Amapiano’s economic ecosystem. They also ask how old is too old for undergraduate homecoming parties, investigate Ty Dolla $ign’s mysterious hair transformation, explain the difference between sampling and interpolation, debate whether Rod Wave needs more collaborators and discuss how AZ Chike capitalized on Kendrick Lamar’s co-sign. TIMESTAMPS 00:00 Dolly Parton, Whitney Houston and “I Will Always Love You”03:20 When do you become “unc” at homecoming?06:50 Kelvin Momo and Kabza De Small’s dispute12:20 Is Amapiano bigger than its economy?25:20 The Ty Dolla $ign hair investigation30:45 Rod Wave, Boosie and interpolation36:35 Has Rod Wave’s independence become a limitation?39:00 AZ Chike and the Kendrick Lamar co-sign Modern radio for global Black sounds.

The House Whitney Built: Dolly Parton, Whitney Houston & “I Will Always Love You” | EP 150

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What allows Black music and cultural institutions to last?AJ and Antonio discuss Notting Hill Carnival’s 60th anniversary, Machel Montano’s new Brooklyn exhibition, Victony avoiding the sophomore slump, Ransom’s late-career consistency and whether Anderson .Paak and Cordae have lost creative momentum.

Notting Hill Carnival Turns 60. Can London Keep It Alive?

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Does Afrobeats still describe a musical genre, or has it become an umbrella for nearly every globally visible African artist? AJ and Antonio discuss Ayra Starr’s StarrGirl, a controversial Dominican-Haitian collaboration, Erykah Badu’s return, and the Ghana-Jamaica connection on Junction. 0:00 – Afrobeats and the “urban music” comparison0:28 – Does music really have no borders?1:00 – The Dominican-Haitian collaboration controversy3:00 – The history behind Haiti and the Dominican Republic4:42 – Can music ever be apolitical?9:35 – Is Ayra Starr’s StarrGirl really Afrobeats?13:47 – What does traditional Afrobeats sound like?15:42 – Why today’s biggest African artists sound completely different17:48 – Is modern music becoming genreless?20:04 – Erykah Badu returns with The Alchemist22:22 – Junction connects Ghana and Jamaica25:18 – This week’s playlist selections25:53 – Where you’re from matters more and less

Does Music Really Have No Borders?

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Subscribe: <a href="https://linktr.ee/RealRandR" rel="nofollow">https://linktr.ee/RealRandR</a>AJ and Antonio dig into who really owns African music that Western labels and collectors traveled in to digitize and distribute — walking through Analog Africa in Benin, the Éthiopiques series, and PMG in Nigeria — then argue out what &#34;fair&#34; even means when the preservation is the only reason the catalog has value at all. Plus Snoop&#39;s biopic through Death Row Pictures, and Tyla&#39;s APOP.0:00 – When did you last buy a record? 1:00 – The $10 Marvin Gaye record that started it 2:10 – Analog Africa: hiring a cop to find artists and pay them 3:20 – Éthiopiques: preserving a decade, buying the rights 4:00 – PMG in Nigeria and the unpaid-artist accusations 5:00 – Who gets paid, and what does &#34;fair&#34; mean? 9:00 – Does the artist always deserve the majority? 11:00 – &#34;If a tree falls&#34; — distribution as the real leverage 13:30 – Is an archiver a creator too? 16:00 – Finding a &#34;different don&#34; 18:00 – Snoop Dogg&#39;s biopic (Death Row Pictures, 2027) 20:30 – Tyla, APOP, and the &#34;whitewashing&#34; question 22:45 – One for the playlist: &#34;Trouble&#34;R&amp;R is Modern Radio for global black sounds.

Who Owns the Music No One Preserved?

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See where music&#39;s going, and why: https://substack.com/@rhythmandrhymesGenres are getting harder to define.Artists like Don Toliver, Rico Nasty, Playboi Carti and Ken Carson are pulling from rap, punk, metal, electronic music, R&amp;B and hyperpop, sometimes within the same record.But the bigger shift may be happening in how we listen.Mood, aesthetics, playlists, algorithms and DJ culture are increasingly becoming the way listeners discover and organize music. So what happens when the feeling matters more than the genre?In this episode, Antonio breaks down how we got here, the artists pushing the shift forward, and what genreless listening could mean for the future of music.TIMESTAMPS00:00 — Music is getting harder to categorize01:00 — Why electronic music and DJ culture are surging01:30 — Don Toliver and psychedelic Houston rap02:15 — Rico Nasty: trap, metal and hyperpop03:05 — Playboi Carti, Ken Carson and rage03:35 — How algorithms are changing music04:00 — Are moods replacing genres?R&amp;R is modern radio for global Black sounds.Watch more: https://www.youtube.com/watch?v=oqaDSTXcRQU&amp;list=PLvQ6HdlN59e7TjcSOBH_BxiEFZTizDN6I

Mood > Genre: Why Music Is Becoming Genreless

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Modern radio for global Black sounds

Jermaine Dupri and the Hidden Math of Royalties

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Subscribe: https://linktr.ee/RealRandR AJ and Antonio dig into why the &#34;Shake It to the Max&#34; remix — a billion streams, the first Ghanaian video past 200M on YouTube — was ruled ineligible for a 2026 Grammy, and what Gamma CEO Larry Jackson&#39;s fight to overturn it says about whether the stamp still matters. Plus The Spook Who Sat by the Door, BellyGang Cushington, and new J Hus. 0:00 – Cold open0:30 – SIE certified1:00 – Detroit recap, Jalen&#39;s JuCo decision2:15 – &#34;Shake It to the Max&#34; gets Grammy-snubbed3:45 – Why the remix wasn&#39;t eligible6:00 – Larry Jackson, Gamma, and the billion-dollar raise7:30 – Do Grammys still matter?9:45 – Making art for awards11:15 – Betting on Africa12:30 – The Spook Who Sat by the Door15:00 – Steve Stoute as the in-between16:30 – Is BellyGang Cushington a CIA operative?18:45 – Album review: The Streets Is Yours (Re-Up)22:45 – New music: J Hus, Nipsey x Blxst25:00 – Trap soul as a lane R&amp;R is Modern Radio for global black sounds.

Shake It to the Max, the Grammy Rules, and Who Gets to Bet on Africa

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Subscribe: https://linktr.ee/RealRandR AJ and Antonio run their ten favorite albums of the year — Tierra Whack, Drake, Vince Staples, Jules, Uncle Waffles, Alex Isley — then get into why the year felt dead: no anticipation, no mega-artists, and hip-hop becoming one crayon in a much bigger box. 0:00 – One word for the year: smooth vs. sporadic0:30 – Antonio&#39;s 107:45 – AJ&#39;s 10 (and a deluxe, unfortunately)9:45 – Wax Museum is the album of the year10:30 – Honorable mentions10:45 – Was this year dead?12:00 – Why there are no mega-artists anymore14:00 – Hip-hop is a crayon in the crayon box16:45 – Russ: nobody makes music for the iPod anymore17:45 – Competing with Scorsese, not with other music18:15 – What drops off the list by December20:00 – Playlist adds

Top 10 Albums of 2026 (So Far)

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📩 Join the R&amp;R newsletter: https://open.substack.com/pub/rhythmandrhymes🎧 Listen everywhere: https://linktr.ee/RealRandR If the State Department once used jazz musicians to sell American values abroad, who&#39;s doing that work today? AJ and Antonio play a game of &#34;who&#39;s a plant&#34; — Live Nation, the Saudi comedy shows, artists who go big in regions where America wants cultural reach — and get into how modern influence might run through sponsorships and shell companies that the artists themselves don&#39;t even know about. R&amp;R is Modern Radio for global black sounds.

Government Plants: From CIA Jazz to Today

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Subscribe: https://linktr.ee/RealRandR AJ and Antonio break down Suno&#39;s new &#34;Spark&#34; grant program forunsigned artists — including the &#34;good vibes only&#34; gag clause andthe name/image/likeness language buried in the fine print. Thenthey get into ghost DJs and prerecorded sets, Jay-Z&#39;s marathonalbum rollout, and standout projects from Tierra Whack and K1. 0:00 – Suno, Spark &amp; the AI music incubator1:00 – Breaking down the grant: writing camps, &#34;good vibes only&#34; &amp; NIL2:30 – Are we training AI to replace us?4:30 – Ghost DJs and the prerecorded set debate6:00 – &#34;Do you really hoop?&#34; — live vs. rehearsed9:00 – Jay-Z&#39;s insane rollout: where&#39;s the music?11:00 – 4:44, Blueprint 3 &amp; meeting an artist late in their career13:00 – Tierra Whack&#39;s &#34;Whack Museum&#34; — favorite rap project of the year?17:00 – K1&#39;s &#34;&amp; All Pride Aside&#34; and the Leon Thomas comparison18:45 – Sign-off R&amp;R is Modern Radio for global black sounds.

The Fine Print: Suno's Grant Program, Ghost DJs & the Jay-Z Rollout

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📩 Join the R&amp;R newsletter: https://open.substack.com/pub/rhythmandrhymes🎧 Listen everywhere: https://linktr.ee/RealRandR AJ and Antonio get into Christian rap — and the line one of them draws between a &#34;Christian rapper&#34; and a &#34;Christian who raps.&#34; Chance, Malice, Lecrae, Andy Mineo: who&#39;s boxing themselves in, who&#39;s giving you the full human experience through a Christian lens, and why one of us says the genre mix never works. Plus: getting &#34;robbed&#34; with an Andy Mineo concert before discovering Kendrick. R&amp;R is Modern Radio for global black sounds.

Christian Rappers vs. Christians Who Rap

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📩 Join the R&amp;R newsletter: https://open.substack.com/pub/rhythmandrhymes🎧 Listen everywhere: https://linktr.ee/RealRandR AJ and Antonio break down Asake&#39;s new album &#34;Money&#34; and use it to ask a bigger question: is Afrobeats getting monotonous, or is that just an outsider&#39;s ear? One of us thinks Asake made the same album twice and his catalog peaked at &#34;Mr. Money&#34;; the other says you can&#39;t be mad at a great artist for running his best play. Somewhere in there, Asake gets called the African DaBaby. 0:00 – Asake &#34;Money&#34;: first impressions1:00 – Is Afrobeats getting monotonous?4:30 – Producer choices, repetition &amp; the &#34;hunger&#34; question7:00 – Ranking every Asake project R&amp;R is Modern Radio for global black sounds.

Asake's Money & the Afrobeats Monotony Debate

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Subscribe: https://linktr.ee/RealRandR AJ and Antonio dig into Harborview Private Equity quietly amassing 41,000+ songs and $3.8B in catalogs — from Quincy Jones and T-Pain to Stefflon Don and Shenseea — and what it means when funders, not labels, start writing the checks. The conversation widens into ownership, Black wealth, and whether artists are becoming tech-startup founders who keep creative control while someone else funds the upside. 0:00 – Intro0:30 – Harborview &amp; the private equity land grab2:30 – $20.4B into music rights since 20193:30 – Artists as startup founders: funding without creative control4:45 – Ownership, Black wealth &amp; why it matters6:00 – Housing, assets &amp; building wealth in the 21st century8:30 – Spurs detour: Harper, Castle &amp; De&#39;Aaron Fox12:00 – G Herbo deluxe: cutting the fat &amp; curating an album16:00 – Blxst &#34;Labor of Love&#34; review &amp; ranking the catalog20:00 – Playlist picks: Stefflon Don &amp; Nelly R&amp;R is Modern Radio for global black sounds.

Is Music in Better Hands with Private Equity?

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Subscribe: https://linktr.ee/RealRandRAJ and Antonio pull up the 1972 Harvard Report — the study that taught major labels to see Black music as supply chains — and trace its logic from Black Music Month to the World Cup stage to Vince Staples going independent.0:00 – Cold open0:45 – Black Music Month &amp; the 1972 Harvard Report5:00 – Ownership vs. reach: was the major label system worth it?11:15 – World Cup lineup: the global sound gets marketed13:30 – &#34;Can we enjoy it if we don&#39;t own it?&#34;18:00 – Vince Staples&#39; Crybaby &amp; what the label wouldn&#39;t let him make20:30 – Independence is the only way to talkR&amp;R is Modern Radio for global black sounds.

The Harvard Report That Decided Who Owns Black Music

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Subscribe: https://linktr.ee/RealRandRAJ and Antonio trace the CIA&#39;s Cold War Jazz Ambassador Program — where Black artists were sent abroad as freedom symbols while denied rights at home — and follow that thread straight into today, asking who the government might be using now. They also break down the M.I.A. vs. Kid Cudi lawsuit, make the case for G Herbo as Chicago&#39;s best MC, and react to the Spurs taking down OKC.00:00 Bad Bunny Conspiracy Opener00:19 CIA Uses Jazz01:27 Jazz Ambassadors Irony02:52 CCF Exposed Fallout03:45 Modern Music Diplomacy04:34 Burna Boy Speculation05:47 Who Is A Plant07:48 Claude Names The Weeknd10:06 Hidden Sponsor Networks11:12 MIA Vs Kid Cudi14:41 Free Speech Contract Debate16:06 G Herbo Thug Review19:31 Will Herbo Get Respect26:33 NBA Thunder Spurs Talk31:22 Playlist Pick And WrapR&amp;R is Modern Radio for global black sounds.

Jazz, Propaganda, and the Government Plant Theory

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AJ and Antonio trace the direct line from Miami bass record shops to DJ Marlboro&#39;s Funk Brasil (1989) — the origin story of baile funk — then pivot to the business: Ed Sheeran&#39;s amicable Warner exit, why major labels are still too big to fail (73.3% of all streams are catalog), and what Spotify&#39;s new AI remixes deal actually means for artists who let their music breathe. New music from Blxst, Joe Duet Filé, Odeal x Stormzy, Juls, and a spotlight on Sadboy — the Antiguan-Jamaican-Toronto artist doing baile funk in English better than anyone.Subscribe: <a href="https://linktr.ee/RealRandR" rel="nofollow">https://linktr.ee/RealRandR</a>

Miami Bass, Baile Funk & the Labels That Won't Die

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Subscribe: https://linktr.ee/RealRandRAJ and Antonio break down Drake&#39;s surprise triple release — Iceman, Made of Honor, and Habibti — tracking the bars, the pettiness, and the global pop instincts that still make him undeniable. They also get into the UMG deal exit theory, Drake&#39;s DJ-first music philosophy, and whether he&#39;s genuinely one Grammy away from matching Michael Jackson.0:00 – Cold Open &amp; Intro1:30 – Playoff Talk &amp; Life Updates4:00 – Drake Week: Three Projects Overview6:00 – First Impressions &amp; Favorites9:00 – Iceman Bars Breakdown14:00 – Disses, Pettiness &amp; Pen Talk18:00 – Made of Honor Highlights23:00 – Dance Wave, House Music &amp; DJs27:00 – Release Strategy &amp; the UMG Exit Theory33:00 – Drake as Our Generation&#39;s MJ36:00 – Classic Cuts from Habibti &amp; Feature Picks40:00 – Sech: Secho Gang Review46:00 – Blue Dot Fever / Live Nation Ticket Pricing55:00 – World Cup Halftime Controversy1:01:00 – Songs of the Week1:07:00 – OutroR&amp;R is Modern Radio for global black sounds.

Is Drake One Away from Michael? Breaking Down Drake Week

Rhythm &amp; Rhymes is your global hub for all black music.

From discussing new releases and trends to exploring the business side of music, we provide dynamic &amp; enlightening perspectives.

Join us as we explore the connections between the past and present, unearthing the stories that have profoundly shaped our diverse musical landscape. Get ready to embark on a rhythmic journey that celebrates black music's powerful legacy and evolving influence worldwide.